Monday August 22nd, 2011 19:00

ED2011 Theatre Review: The F Word (360 Productions)

I was excited about going to see ‘The F Word’, which promised a series of feminist-themed mini plays: I love a good bit of gender politics to mull over. But when the cast came on stage and began to sing their glib opening number, ‘Female Therapy’, I realised I’d made a terrible mistake. It wasn’t so bad; some of the playlets, which ranged in theme from one about domestic violence to a Caster Semenya-inspired piece about sport, were powerful, well-written and impressively acted, but the shortness of the pieces means that the play merely glances over the issues. I began to feel that the whole show lacked substance; by ending with a reprise of that stupid song, my suspicions were confirmed.

theSpace On North Bridge, 5 – 27 Aug, 4.40pm (5.40pm), £10.00, fpp264
tw rating 2/5
[lm]

Sections: by Lisa McNally - ED2011 Theatre Reviews - tw rating 2/5 | Tags: ,

Also from ThreeWeeks...

  1. ED2011 Theatre Review: The Observatory (Snuff Box Theatre Company)

    ‘The Observatory’ is a tense play about a soldier who shoots an innocent civilian and about the military’s subsequent response. The first scene is powerful and carries us into a...

  2. ED2011 iDaily #04: Yo Yo Yo Productions, Pop-up Productions, Rough Winds, Action To The Word

    Welcome to edition four of the ThreeWeeks iDaily for Edinburgh Festival 2011, with your hosts for today, Chris and Clare. That real-life romances never quite work like in the movies is...

  3. ED2011 Theatre Review: Attempts On Her Life (Paper Chains Theatre Company In Association With On The Verge)

    Sum up the twentieth century – that’s what Martin Crimp attempted to do with his experimental 1997 script. Addressing pornography, ideologies, terrorism and suicide, the ambitious work is here dealt...

GET ALERTS OF NEW THREEWEEKS CONTENT: Click here to sign up to the free ThreeWeeks email

  • http://www.facebook.com/people/Ian-MacQuarrie/1199286863 Ian MacQuarrie

    I know it’s finished now, but I would agree with your summary. It’s described very much as a work-in-progress in the programme. The actors are superb and the material is well-balanced. (And it says a little more than ‘all men are unpleasant’.) Although there are microthemes of a sort, there is no central narrative. I’ve not seen ‘The Vagina Monologues’, but this avowedly claims to be in the same vein, which is its downfall if it hopes to storm the world in its current form. A good solid Fringe hour, worth its ticket price… 3/5