Broken Records on the Edge - Yes, another The Edge band is awarded the official 'Kat the Photo Editor from ThreeWeeks' seal of approval. They even earned another "awesome" accolade. You now probably think Kat just says that about every band at the Fringe - but ask her what she thought of Longview and you'll know that's not the case. Photos by Kat Gollock.

TALK OF LEGALITES AND STREAMLINING AS FRINGE BOX OFFICE FALLOUT CONTINUES
Despite all our ranting on the issue in the last week or so, especially after the somewhat pointless open discussion on the matter at their AGM last Saturday, I'm starting to feel a bit sorry for the Fringe Society as they cope with the aftermath of their failing centralised box office system.

Having failed to use the Annual General Meeting to make an official apology to their members, preferring instead to refer performers, producers and venue managers to the planned independent inquiry on the matter, the Society's management and board are now facing continued hostility from those in the Fringe community most affected by the ticketing disasters at Fringe HQ.

As the Festival approaches its completion there is increased talk of some venues taking legal action against the Society in a bid to recoup any losses in ticket sales that could be argued to be due to the Society's faltering box office system. Given the costs of all the extra staff taken on at the Fringe Office to cope with the crisis, plus the cost of the aforementioned inquiry, it's not clear if the Society's rainy day fund could stretch to litigation.

Though given that ultimately any legal costs or damages would probably have to be passed back to performers in increased fees in future years, ie the very people threatening legal action, there's a chance those rumoured to be talking legalities are actually bluffing in a bid to win a stronger hand in the upcoming full review of the Fringe Festival's coordinating body.

As for that review, speculation is already rife as to what the key players in the Fringe community will push for. According to the Scotsman, proposals expected to be pushed forward include a stripping back of the Society's activities so that its principle operations become just the centralised box office and a centralised marketing strategy. Such a policy, some say, could see the axing of other Fringe Society ventures like Fringe Sunday.

To that effect the Scotsman quote Assembly chief William Burdett-Coutts as saying: "Everyone on the Fringe needs to work much better together and the Fringe Society needs to concentrate on getting back to basics. Perhaps it shouldn't be getting involved in events like Fringe Sunday, which ties up a huge amount of time and resources. There has been no real change in how the Fringe is marketed for several years now; that desperately needs to change".

Some of the ideas already floating about regarding the reform of the Fringe Society will be discussed as part of the wider debate on What's Wrong With The Edinburgh Festival being staged by ThreeWeeks this Thursday at 2.30pm at the Roman Eagle Lodge.

--

CLIVE JAMES BEGINS HIS FRINGE CONVERSATIONS
Clive James arrives at the Festival tomorrow with six afternoon shows which will see the legendary writer and broadcaster chat and debate with various guests over there at the Assembly Rooms. I'm telling you this because some of those special guests have just been revealed and I figured you might be interested to know who they are. So, here's the list...

Tuesday 19 Aug: Roy Hattersley
Wednesday 20 Aug: Alan Sillitoe
Thursday 21 Aug: Howard Jacobson
Friday 22 Aug: Rick Wakeman
Saturday 23 Aug: Armando Iannucci
Sunday 24 Aug: Richard Dawkins

'Clive James In Conversation' takes place at Assembly each day at 4.30pm.

--

Send in news: editor@threeweeks.co.uk

Answering the ThreeWeeks Quick Quiz today...
Bunny from 'Grease Lightnin The Drag Show'

1. What is your 2008 show all about? Our show is 'Grease Lightnin the Drag Show', it's a parody of the story of Sandy and Danny and their friends. The story line is slightly changed, but a lot of fun. Oh, and we are all Aussie blokes. 2. Why should we come and see it? Come and see six Aussie drag queens make fun of themselves – and sing along and have a great time. Or else six drag queens will come and hunt you down. 3. If your show was an olympic sport, what would it be and why? "Clean and jerk" weightlifting – a girl's got to!! 4. What are you most looking forward to about this year's Festival? Not sleeping.

6. What advice would you have for someone trying to navigate the Fringe?
Keep your fluids up – gin, vodka, anything you can get your hands on.

7. What advice would you have for someone trying to survive the Fringe?
See above.

8. Describe your show in three words
Ultra uber campness.

Grease Lightnin The Drag Show, Gilded Balloon Teviot, 30 Jul - 25 Aug, 10.15pm (11.15pm), prices vary, fpp56.

Even more reviews for you! Remember only a selection of our reviews appear in the printed Daily and Weekly, they all appear here in the eDaily. Enjoy...

Speedy links:
Books - Comedy - Events - Music - Musicals & Opera - Theatre - Visual Art

ThreeWeeks Ratings Explained
1/5: Bad
2/5: Mediocre
3/5: Good
4/5: Very good
5/5: Excellent

BOOKS

James Fergusson & Sean Rayment
East and West
I like the fact that the Book Festival is about much more than authors promoting their latest book. In this event, two journalists who've spent ample time in Afghanistan spoke to a fascinated audience about what the British are attempting to achieve there. Whilst the Sunday Telegraph's Sean Rayment - also a former officer in the parachute regiment - spoke for British soldiers living in the most appalling conditions, James Ferguson recounted an amazing story of his surreal meeting with the Taliban, in which they told him that fighting the British feels like unfinished business from the 1840s. While both agreed that the West shouldn't pull out, Rayment also said that "the British Government are only just beginning to wake up to the size of the task."
Peppers Theatre, 15 Aug, 11.00am (12.00pm), £9.00 (£7.00), bfpp 26.
[js]

COMEDY

Andrew O'Neill's Hour-Long Stand-Up Comedy Show
Good Sense Of Humour/PHB's Free Fringe
Misanthropic comedy sounds like an oxymoron, but that is exactly what Andrew O'Neill does so well. Beset by technical woe, he began his set without any lighting (though luckily the sound was fine), yet unperturbed, he proceeded to roll it in to his opening banter, lighting some candles, and then making the audience sing 'Bohemian Rhapsody' in two sections. In an hour of unashamedly intelligent comedy, Andrew takes us through his top tips for climbing the fame ladder, some musical interludes, and admits to losing a fight! A mixed bag, this show has something for everyone, and is a free show, so is amazing value. Do note, however, that this show begins at 3pm, not 2.45pm as listed in the Fringe Brochure.
Nicol Edwards, 2-23 Aug (not 13, 20), 3.00pm (4:00pm), free, fpp 26.
tw rating 4/5
[dk]

Bernard O'Shea - Do Not Adjust Your Mind, Reality is at Fault
Mick Perrin for Just for Laughs Live
Bernard O'Shea's comedy revolves largely around his dysfunctional, geeky persona. Throughout his show he expresses frustration about those things having a negative effect on his life, from his infuriating flatmate to the stupidity of security guards, making his act both intense and strangely aggressive. Often, his material appears extremely fluid and unfocused, which leaves the audience with an uneasy feeling that it will fall flat at any moment, but luckily for O'Shea it does not. His mix of storytelling with unusual props, fantastic impressions and darkly comic songs is enjoyable and at times hilarious; if O'Shea could focus his talent, he could be an exceptional comedian, and definitely one to watch in the future.
Pleasance Courtyard, 30 Jul - 25 Aug (not 13), 9.45pm (10.45pm), prices vary, fpp 32
tw rating 3/5
[kk]

Mick Sergeant: Ah, Shit! It's Mick Sergeant
Stand Comedy Club
Although this act was amusing, it was not roll on the floor, crying your eyes out funny. Yes, I laughed, but I think there is a certain audience that this show will appeal to. Those who have properly experienced what it is like to lose their livelihoods, live on the dole, and have their life partners throw them out, will probably appreciate this performance more than those who haven't. They will be able to relate to what comedy character Mick is striving at, what he believes to be the fundamental questions in life. Having said that, it was well put together and the sketches have been constructed with skill and talent. Comical, but definitely not funniest show on the Fringe.
The Stand Comedy Club III & IV, 1 - 24 Aug (not 11), 1.40pm (2.40pm), prices vary, fpp 79.
tw rating 3/5
[lp]

Gullibility Factor
Random Cactus & The Wireless Theatre Company
This didn't tickle my sense of humour, in fact, I even didn't laugh once. That wasn't the fault of the performers, all of whom I could imagine doing very well in a BBC 3 comedy sketch show, but I just found this production to be of a pretty low grade of humour. Part of my problem was that the jokes wore thin very easily, with each of the sketches focusing on the general idiocy of the characters. I could see where they were coming from most of the time, but usually this was the case long before they got anywhere near. I don't think I speak for everyone and I'm sure some people will think this fabulous, but I need a slightly more intelligent comedy to be entertained.
Augustine's, 2 - 15 Aug (not 11), 9.45pm (11.05pm), £8.00 (£5.00), fpp 202.
tw rating 2/5
[mj]

Diet Of Worms - Friends Of The Puffincat
Edcom8 Presents
You too can be a friend of puffincat! You can watch his Soviet cartoon and witness his attack on Russian chat-show host Mikhail Parkinski, and these moments might be some of the most surreal high-points of your life. The sheer breadth of material on offer, however, means that even in the unlikely event that the puffincat hasn't charmed you there's still plenty to enjoy, such as Kate Nash singing a song in the guise of a plaster and Steven Hawking's clandestine snickers ad. Bursting with originality, silly accents and chaotic segues, Diet of Worms have a definite hint of 'The Young Ones'. Their material is not perfectly honed as yet, but this is definitely a group to look out for.
Gilded Balloon Teviot, 30 Jul - 25 Aug (not 11), 5.15pm (6.15pm), prices vary, fpp 46.
tw rating 4/5
[jwm]

The Cheese and Pineapple Club
Cheese and Pineapple
Sarah Campbell, cunningly disguised as "a boy from an Enid Blyton novel" and Grainne Maguire, in her best frock, want to invite you to their party. You'll be treated to some lovely colouring-in, and have the party etiquette explained to you in all its excruciating detail from small-talk, to the inevitable consequences of too many cocktails. The safe material and paper-thin observations are thankfully held together by the sheer enthusiasm and energy of the pair, who are really very keen for everyone to have a delightful time. Every show includes a star guest, and I was lucky enough to have Isy Suttie, who combines the ideal qualities for a comedian: hilarious, wonderful and strange.
Underbelly, 2-24 Aug, 5.15pm (6.15pm), prices vary, fpp 37.
tw rating 3/5
[gs]

The Meeting
Zoo Logic Presents House Of Windsor
'The Meeting' is a comedy that does exactly what it says on the tin: audiences are whisked into a boardroom as office workers, where they are then taken through the office agenda. This is certainly an engaging and highly original piece that will have you laughing in no time as you are invited to sign a birthday card, eat sweets and mourn over the loss of a character's mug. The content is stimulating but the David Brent-esque character that creeps in now and again is both predictable and irritating. The show would benefit from further one to one interaction with audience members to create a different show every night, but nevertheless, this comedy proves to be lots of fun.
Pleasance Courtyard, 30 Jul - 25 Aug, 6.25pm (7.30pm), prices vary, fpp 77.
tw rating 3/5
[kc]

Where's Yak
Laughing Horse Free Festival
Raising only a few laughs scattered here and there, 'Where's Yak' was not particularly funny. The show centred around two girls who work in a Wimpy Burger and their 'banter', as well as the mysterious voice of Yak. It was not made clear what this voice was meant to be, or symbolise; what was clear though, was that what was uttered by Yak was supposed to be funny, and it really wasn't. The show was scatty and not well thought out, while it was hard to see what the point was as the sketches didn't seem to go anywhere, or even make too much sense. Even although this show is free, it's not really worth the effort.
Laughing Horse @ The Counting House, 2-17 Aug, 2.05pm (2.50pm), free (non-ticketed), fpp 109.
tw rating 2/5
[lp]

Angry Little Dropouts
Laughing Horse Free Festival
This student comedy show is a mix of mainly rubbish stand-up and mediocre sketches. Some of the sketches were quite amusing and the cast's interaction was good but they were let down by weak material including a gay dating video from times gone by, which seemed a little forced and played on stereotypes. At the start, one of the guys came on stage and told a few jokes, which happened to be funnier than his whole stand up routine, in which he divulged too much information, admitting himself that his stand-up wasn't great; well at least he knows it's rubbish. The highlight was a sketch with a German comedian, as some of the audience heckled him - in German.
Edinburgh City Football Club, 2 Aug - 6 Aug, 1.00pm (2.00pm), free, fpp 27.
tw rating 2/5
[fa]

Alexis Dubus - A R*ddy Brief History Of Swearing
Alexis Dubus/ PBH's Free Fringe
Shit me - or should I say Zounds - what a show. Anticipating the worst, I was amazed to find this was as unexpectedly funny as the Queen breaking wind. Dedicated to that most splendid of words, 'fuck', Dubus dispels the myths and stigma attached to swearing, offering great insight into the science of swears, their derivations and universal appeal. Consider it the QI of expletives or XXX Radio 4 - stimulating, educational and informative for the immature, and a rude treat for anyone else. If you're easily offended, I implore you - pop along and experience something brilliantly fascinating. Always fantastically light hearted, foul mouthed but never crude, I have to say this is possibly the best ruddy show at the Free Fringe.
Nicol Edwards, 2 - 23 Aug (not 13), 6.45pm (7.45pm), free, fpp 23.
tw rating 5/5
[rh]

Kevin Gildea: Man Of A Million Heads
Stand Comedy Club
If ever proof was needed that comedy is entirely subjective, you need only look to the girl who sat to my right during this gig, and almost died from laughter, slapping her thigh until I'm sure it hurt, while all I mustered was a sympathy giggle as Gildea went through his enthusiastic routine. There were funny moments, and most of the Irish comic's political commentary was spot on, but clever satire doesn't always make for a side-splitting show. My sides remained unsplit for most of the hour, although Gildea definitely warmed up after getting some love from the small crowd, and seemed to save his stronger material (easier on the banter, heavier on well-seasoned jokes) till later in the show.
The Stand Comedy Club II, 31 Aug - 24 Jul (not 11, 18), 7.50pm (8.50pm), £8.00 (£7.00), fpp 68.
tw rating 3/5
[amc]

ComedySportz @ Laughing Horse Free Festival
ComedySportz
Everyone knows rules are no fun, right? So you would understand my concern when I was first introduced to the 'rules' of ComedySportz, the competitive version of improvised comedy. I shouldn't have worried. The simple and familiar rules were thus: two teams of comedians must each come up with an improvised sketch based on an initial topic suggestion from the audience. Sounds risky? Indeed, but the gamble definitely paid off as this group proved themselves skilled and funny with a remarkable ability to think on their feet. They were clearly enjoying themselves, and it was obvious that this delight rubbed off on the audience. Surprisingly funny, more than a little bizarre, and a good afternoon of fun for all the family.
Laughing Horse @ Meadow Bar, 10 - 25 Aug, 3.05pm (4.05pm), free, fpp 41.
tw rating 4/5
[rg]

A Degree of Comedy
Three Graduates and a Drop-out / PBH's Free Fringe
Schoolboy banter is what this show's all about, and despite the crudeness, and the constant references to cocks, dicks and wanking, I couldn't help but laugh. Topics I would normally scowl at, including incest, watching your parents have sex, and testicular torsion, I found hilarious. The 'drop out' adopted the role of compere, brilliantly interacting with the crowd between the fifteen-minute sets of the other three. These youthfully energetic performers seemed to enjoy the show as much as the audience and managed to make light of the dingy surroundings and dripping roof, all the while laughing at themselves as much as anyone else; their self-awareness and humility making them all the more appealing, and proving that not all southerners are up themselves.
Nicol Edwards, dates vary, 5.30pm (6.30pm), free, fpp 45.
tw rating 4/5
[sg]

GCSE Revision Class
Mims & Mabey/PBH's Free Fringe
Well, predictably, this stand-up show has absolutely nothing whatsoever to do with GCSE revision. Instead, four comedians got up and bumbled through their acts, seeming mostly like they hadn't slept in about a week (like most of us), and were possibly still a bit drunk. Caroline Mabey was good in a kind of out of it way, the others less so, having little to say, and I got the feeling they'd completely run out of steam at this point in the Festival. Other than that, not much to report. It is of course free, so if you have nothing better do, go and have a pint and prepare to be mildly amused by people who probably look how you feel.
The White Horse, 13 - 23 Aug (not 19), 6.55pm (7.55pm), free non-ticketed, fpp 53.
tw rating 2/5
[ah]

Freeze!
Zoo Logic
Tim Key and Tom Basden want to be on TV. Really badly. So badly they try to perform every talent they can think of (dance, poetry, film pitches, etc) to a non-existent talent scouter. It would be embarrassing to watch were it not so damn funny. It's ridiculously obscure, filled with purposeful errors and the most fun comes in hearing their comments as they try to set up the next part of the show. My favourite part, though, has to be their terrible dance, which has allegedly created a storm on YouTube and, in all its terribleness, for good reason. See this and root for them to get the TV deal they deserve before they run out of good ideas.
Pleasance Dome, 14 - 16 Aug, 11.00pm (11.55pm) £10.50 (£9), fpp 51.
tw rating 4/5
[lh]

Funny. Twice.
Jimmy McGhee, Damion Larkin
'Funny. Twice'? Bit of a stretch, that one. The shared set didn't really live up to what it might have been. First up Damion Larkin absolutely bombed, his jokes and limp stories falling very, very flat, and getting only drunken heckling from the pissed crowd of British Gas workers and anti-porn software makers. That said, it did seem to be more a case of a bad start leading to lowered confidence - and just the wrong kind of audience - rather than Larkin actually being a sub-standard comic. Next up, McGhee was fresh, quick, inventive, saving the hour and getting a far better crowd reaction. I really wanted to leave feeling that both sets were good, but really only McGhee was worth watching tonight.
Gilded Balloon Teviot, dates vary, 10.30pm (11.30pm), prices vary, fpp 52.
tw rating 3/5
[ab]

Louis CK: Chewed Up
Louis CK
I can understand why Ricky Gervais has dubbed Louis CK "the funniest stand-up working America". For a start, both of them reach places most other comedians daren't even think about, yet they go there with such ease and comfort, with almost a twinkle in their eyes, that you love them for it. Normally, when a 40 year old man starts talking about his chafing underwear, his masturbation habits, bowel movements and how much he hates his kids (I must point out that this isn't very often) it would send me into a state of nausea, followed by a sharp exit, but somehow, Louis pulls it off (no pun intended). He was actually hilarious, putting the world to rights with the darkest sense of humour.
Pleasance Courtyard, 15 - 16 Aug, 10.30pm (11.30pm), £12.50 (£11.00), fpp 74.
tw rating 5/5
[mj]

This Show Belongs To Lionel Richie No 5: Comedy Mob
This Belongs To Lionel Richie
I don't know what the mass guerrilla comedy sketch 'type' is but I'm almost certain it's not me... or I was. Watching forty people nonchalantly brushing their teeth in Waverley station has turned me. From start to finish, this was hilarious to be part of, although twenty minutes goes very fast and it doesn't really come to a conclusion, the participants just drift off. It would be nice to have a warm-up at the beginning to get to know your fellow 'mobsters' and perhaps a drink at the end to congratulate each other on how off-the-wall we all were. Nevertheless, these candid camera-style japes are a stroke of brilliance. Highly self-indulgent, of course, but isn't that the point?
We Come To You, dates vary, 2.00pm (2.20pm), free, fpp 104.
tw rating 3/5
[fc]

DANCE AND PHYSICAL THEATRE

One More Than One
Atypical Theatre Company & Kids These Days
Do you care about appearances? 'One More Than One' makes you acknowledge your inner prejudices about what's different, unknown and less understood by our conditioned minds. It makes you confront what is real and human, what is beyond language and understanding, our true nature and self doubt. Through physical movement, agile dance, acrobatics and the use of media technology, we are presented with the truth of being and the fear and insecurities embedded in attraction. Though at times it does get a bit cheesy, both performers give an honest performance of what it is to be "not the only stranger in a strange land".
C central, 1 - 25 Aug (not 11), 5.50pm (6.45pm), prices vary, fpp 119.
tw rating 3/5
[da]

Polaris
A snowstorm rages in Antarctica and a full complement of penguins, fish, seals and intrepid explorers battle against the elements, all miraculously and meticulously portrayed by two bearded Czech blokes. 'Polaris' is beautifully staged, and amongst the many physical and vocal talents on display here, the two performers can do a damn good whale impression,. There are lovely comic moments (who wouldn't laugh at grown men rolling around on the floor pretending to be seals?) and a heartbreaking ending with a real foam snowstorm. Ultimately though, it's a confusing piece, with no real arc to the story, and a deeper connection needs to be made between the performers and the audience, in order for them to connect to the tragic tale of these adventuring heroes.
The Zoo, Aug 1 - 25 (not 6, 13, 20), 6.35pm (7.25pm), £7.00 (£5.00), fpp 120.
tw rating 3/5
[je]

Scottish Dance Theatre
Ethereal, exquisite, playful, sometimes menacing, but always beautiful, Scottish Dance Theatre deserve full marks for the most wonderful piece of dance I have seen this Fringe. A thousand images crowded my mind; fairies dancing in the glen, fireflies in the night's sky, love-making and broken hearts. The Liv Lorent choreographed 'Tenderhook' played very much to your own personal emotions and interpretations, whilst 'Dog' was a more abstract and less compelling piece with alternate soft and gentle movements lulling you into a false sense of security before fast and jagged motifs began to dominate. The choreographer, rising star Hofesh Shechter, fuses wit and movement of a military precision with an eclectic score, the carnival-esque music being especially effective amongst the groans and opera.
Zoo Southside, 12 - 24 Aug (not 18), 6.30pm (7.40pm), fpp 120.
tw rating 4/5
[bw]

You Don't Know Jack
Carpetbag Brigade
You're right, I don't know Jack. And by the end of this strange, impenetrable piece, I knew squat about this show. Generally I find it hard to appreciate theatre that alienates to the point of disorientating its audience but 'You Don't Know Jack' goes one step further by completely destroying any semblance of narrative. This is such a shame because the piece was performed in a wonderful space that loaned it an undeservedly atmospheric backdrop, jarring with the awfulness of this show. What I did get from the Carpetbag Brigade was a latent undertone of contempt for 'useless' mothers, which was sanitised by folksy music and what I think you call 'contemporary dance'. But then again, I mightn't know Jack.
Rocket @ Demarco Roxy Art House, 1 - 24 Aug (dates vary), 1.30pm (2.30pm), £11.00 (£9.00), fpp 123.
tw rating 2/5
[rsj]

EVENTS

Lynn Ruth Miller
Edinburgh Book Fringe
This woman is an adorable gem; her stories are warm, touching and true whilst her delightful attitude and charisma make her a real joy to watch. Despite her age, Lynn has a vivid and sharp memory combined with fantastic command of the English language, and she unashamedly discusses her view of the world as a child, bringing out the child in all of us. The event I attended was a one off in the wonderful Word Power Books store, a relaxed and intimate venue that has a fantastic programme lined up. Lynn is also doing other shows in the festival that I will be checking out to see if this lady can please a stubborn comedy crowd as well.
Edinburgh Book Fringe West Nicolson Street, 4 - 22 (not weekends), 1.00pm, free, fpp 125.
tw rating 4/5
[mi]

Multiple Snorgasm
The Edinburgh Sleep Centre
This seems an odd event to include under the umbrella of the Fringe, and after sitting through an hour of Chris Idzikowski and Ewan Crawford's granddad style jokes, it feels as if they have tried to transform a lecture on sleep into a stand-up performance by a comedy duo; they even call themselves "The Chuckle Brothers of Sleep". There are quite a few awkward "to me - to you" moments as they fumble with their scripts, but there are some interesting points, and the story about Chris's daughter's vibrator falling on his head is hilarious. However, it neither informs us of the techniques or technology to improve sleep (as their blurb suggests) nor entertains satisfactorily.
The Edinburgh Sleep Centre, dates vary, 11.00am (12.00pm), 6.00 (5.00), fpp 128.
tw rating 2/5
[ad]

Cambridge Shorts
Cambridge Filmakers Network
Making a film isn't easy, and grouping shorts together is just as hard; there are so many variables and if just one is weak the whole piece can be ruined. Therefore I have a lot of respect for these four short films collectively, as they are all aesthetically pleasing. There seemed to be a theme of returning to older film-making styles, recalling such works as the first silent films of the Lumière Bros, and the surrealist films of Luis Buñel. While visually enjoyable as moving photographs, they didn't explore anything new or innovative, however, apart from the last of the short films which had more emotional depth. However these films just weren't engaging enough and out of the five-person audience, three left and one fell asleep.
C soco, 30 Jul - 25 Aug, 11.30pm (12.20am), prices vary, fpp 132.
tw rating 3/5
[gm]

MUSIC

Allegra Levy and the Boston Blue
You can't fault their ambition and enthusiasm, but this young Boston group didn't find the right temperature this evening. After about thirty seconds of the first song, the saxophonist launched into a four minute solo, tainted by lost phrases and mistakes, then left the stage as if having just shaken the Earth with such prodigious quality that the crowd was no longer deserving of him. The pianist was no better; in fact the whole group seemed to think that improvisation consisted of completely losing rhythm before starting to display their ability, and it just came across as jarring. Why was such a young group on at 11pm? They should have been performing at 6pm, with free lollipops on the door.
The Jazz Bar, Aug 7, 10, 11.00pm (12.00am), £8.00 (£5.00), fpp 139.
tw rating: 2/5
[tb]

Chinese Music And Dance Showcase
Dvorak & Brahms At Teatime
ROSL Arts
I ought to admit that while I like 'classical' music (the inappropriate, blanket term), I nearly always find it incredibly hard to sit through recitals, the result of some cocktail of school orchestral trauma and a short attention span, probably. So, to see the Cappa Ensemble and pianist Alasdair Beatson perform a Brahms sonata and Antonin Dvorak's Piano Quartet in E Flat with so much vivacity and flair, was one of those rare moments where I had to question myself. Young and gifted, the quartet made the most of the Romantic arrangements, sailing from the dramatic, forceful highs to sombre lows, showing an almost effortless level of technical panache. Moving, expressive, there were times when I noticed that I was, in fact, spellbound.
Royal Over-Seas League, 12 & 14 Aug, 4.00pm (5.00pm), £10.00 (£8.00), fpp 147.
tw rating 4/5
[ab]

Invasian Festival: Anshul Tomer - Songs From Hollywood
clubWEST
Anshul Tomer , an 'Indian Idol' contestant, returns to the Fringe with a show comprising old favourites and contemporary songs from Bollywood. Admittedly, Anshul has a stunning voice that amazingly hit every single note throughout the entire performance, but the fact that he was essentially just singing along to a backing track managed to make the whole affair feel somewhat synthetic. It doesn't matter if you don't understand the language that he is singing in, because his preamble to each song explains their central themes, and the backdrop of videos illustrate the story effectively. Anshul is a very expressive performer and can at times appear overly animated, but isn't that a typical trait of a Bollywood performer?
clubWEST @ Quincentenary Hall, 3 - 25 Aug, 1.15pm, £8.00 (£7.00), fpp 153.
tw rating 3/5
[mb]

Valery Ponomarev Quintet
Jazz Bar
This quintet, based mainly in Scotland, had New York resident Ponomarev leading the group on trumpet, an affable musician who talked and interacted with the crowd between songs. The rest of the group were also rather good; there was some great soloing from Brian Shields on bass and Billy Kyle on drums. However, although the routes found by Paul Kirby on piano and Tim Armacost on saxophone were technically good, they lacked a little punch. Highlights included the sax/trumpet duet from the first set, and Armacost's flute playing on the slow ballad 'But Beautiful'. Some good jazz was played this evening, which worked well as background music, but the gig lacked the sense of occasion it it deserved.
The Jazz Bar, 11 - 17 Aug, 11.30pm (1.00am), £6.00, fpp 166.
tw rating 3/5
[tb]

The McCalmans
McCalmans
As a Scottish folk novice I was wary of The McCalmans, but this proved to be an entertaining evening. Their songs with a pinch of humour were much more enjoyable than the more sincere material, which at times I found to be a little wet. Light-hearted musings on hangovers, death, recycling and the dangers of the A830 were performed with hearty harmonies and Scottish wit to tickling effect. Their set was tight and polished, and at times effortlessness verged on arrogance (predicting an encore was a pretentious if astute joke), while the balance of instrumentation to voice was nigh on perfect. This is a highly enjoyable evening for those who know their Scottish music, and there's plenty here for everyone else too.
Acoustic Music Centre @ St Brides, 15 - 16 Aug, 9.00pm (10.15pm), £12.00 (£10.00), fpp 157.
tw rating 3/5
[th]

Rachmaninov After Lunch
ROSL Arts
I'm afraid that when it comes to classical music I don't usually take too much notice unless there are a group of dancers in tutus and en pointe in front of me. However what made this performance so wonderful wasn't just the beautiful music but the whole package: lily-scented performance space, tea and shortcakes to follow. Despite being the youngest person there (with my own teeth and everything), I enjoyed feeling serene, civilised and very grown-up and nodding now and again in appreciation of the delicious sounds. ROSL Arts have a reputation for nurturing the international classical stars of the future and with the audience offering a standing ovation this was evidence enough. The perfect post lunch show.
Royal Over-Seas League, 15 Aug, 2.00pm (3.00pm), £10.00 (£8.00), fpp 161.
tw rating 4/5
[bw]

Sandbach School Big Band
Sandbach School Music Department
Surrounded by sophistication and splendour in the Royal College of Physicians, this school band is one that would put your average Monday morning assembly ensemble to shame. This cheerful and lively performance was highly enjoyable, particularly due to the promising skills and talents of such young band members. They confidently made their way through a selection of swing classics, familiar pieces reflecting a classy and stylish ability to impress, whilst a rendition of the Rocky theme tune conveyed a further versatility. Particularly impressive were the guitar solos, and a comic element was also provided by conductor John Barber, whose humour made a great contribution to the show as a whole, allowing for a well rounded, entertaining performance.
The Royal College of Physicians, 11 - 15 Aug, 7.00pm (8.00pm), fpp 163.
tw rating 4/5
[am]

Schubert's Last Piano Sonata
Geoffrey Dancer
One of the Festival's chief joys is seeing people do things well, whatever that thing might be. Geoffrey Dancer approaches the piano with great care, and his first notes are produced from the featheriest of touches on the keys, which then give way to urgent crescendos; there is a simple wonder in watching this craftsman at work. The most enjoyable movement for me was the opening of Schubert's Sonata in B flat major. Written in the last weeks of his life, there is a definite biographical note as the light, skipping melodies of memory are juxtaposed with a low thunderous trill, which brings to mind thoughts of his impending death. This was a wonderfully sensitive recital of a resonant piece.
St Andrew's and St. George's Church, 15 Aug, 12.30pm (13.30pm), £8.00 (£6.00), fpp 163.
tw rating 4/5
[jwm]

MUSICALS AND OPERA

Harry!
Shrewsbury School
Harry is the modern day Hamlet and the rightful heir to his father's cardboard box company. The performers in this show were, without a doubt, all talented singers, and some even managed to dance with style, but the story did not live up to the original. The staging was unclear and confusing, and we did not discover who some characters were until the second act, plus, there were scenes which were apparently meaningless, adding nothing to the story. The musical briefly questions whether or not life imitates art or vice-versa, but in no great depth. The only question you will be asking by the end is "What was that?" Sorry Harry, but in this case, art should not imitate art. Hamlet wins every time.
Rocket @ Demarco Roxy Art House, 12-23 Aug (not 17), prices vary, fpp 172.
tw rating 2/5
[lp]

I Love You, You're Perfect, Now Change!
Take Note Theatre
Following men and women from first dates to senile pick-ups, this show runs through familiar situations but with lots of comedy thrown in to boot. Most of the story is told through songs, and they are hilarious. The lyrics are delivered clearly, and reveal some of the best lines. The talented cast did justice to the script and sounded great when singing in harmony, whilst the solo renditions were also very strong. This musical is funny and witty, and this production of it is extremely well done. On a rainy day here at the Fringe, 'I Love You, You're Perfect, Now Change!' is a great way of bringing some sunshine into your life.
Musical Theatre @ George Square, dates vary, 3.45pm (5.00pm), prices vary, fpp 173.
tw rating 4/5
[fa]

Faeries
SL Productions
This rarely-adapted tale of two little girls from Yorkshire who caused a stir with photographs of faeries taken in their back garden is an ideal vehicle for musical theatre, so much so that I couldn't believe it hadn't been done before. This was a full-scale production with good orchestration and costuming, and the well-choreographed faeries in their shimmering rags gave some enchanting tinkling moments which defined the production. The storyline had everything going for it but was let down a little by intonation difficulties and the libretto which was a bit hit and miss. This should be a success with younger audiences though, as it accesses a realm of childhood wonder which we all wish we could return to.
Musical Theatre @ George Square, 31 Jul - 10 Aug, 11.45am (1.00pm), prices vary, fpp 170.
tw rating 3/5
[lr]

Striking Gold
El Dorado Cabaret
Re-creating that 1940s, downtown New York, jazz bar atmosphere, Morgan Carberry and her musicians know how to put on a cabaret show. Well chosen songs and stories complemented each other, ensuring the flow of the performance, and Morgan glides from one persona to the next with ease and style. There is no doubt that Carberry is a talent, but, there were moments when it seemed that she couldn't help herself and just had to show off the extent of her skill, even if it didn't really fit; she pulled out the tap dancing, the fiddle, had a go on the piano and even played the flute. This was, however, an undeniably accomplished performance.
Hill Street Theatre, 1-25 Aug (not 5, 12, 19), 11.15pm (12.15am), prices vary, fpp 178.
tw rating 4/5
[lp]

Working
The American High School Theatre Festival
Teachers, labourers, hookers, financial managers... they came from every type of industry but were all unsung heroes. The individual stories of the characters here were wonderfully portrayed, and solos, for the most part, were very strong with real power and beauty. Songs and dialogue about how it will be better for the younger generation felt particularly poignant as the performers are this next generation. The main criticism would be the chorus scenes, particularly the last song, 'Something To Point To'; it would have been great to have left on a high note, with smiles galore on the stage, but the pained expressions meant it felt more like a solemn acknowledgement of the working masses rather than a celebration.
Church Hill Theatre, 15 - 19 Aug, times vary, £6.00 (£4.00), fpp 179.
tw rating 3/5
[bw]

THEATRE

Ubu Roi
Cycling Fish Theatre
The Ubu plays are acknowledged classics of modern theatre, but they are rarely taught, and even more rarely performed, and if you get a chance to see them, you will probably see why. This play, a rough retelling of 'Macbeth' by madcap proto-punk, the French surrealist Alfred Jarry, is on the surface little more than a childish exercise in being stupid and outrageous, a modernist equivalent of 'South Park'. This is a production that takes that ethos and runs with it, from the toy guns and light-sabres to the cardboard set, and it can all seem very pointless, especially when their crowbarred-in modern references fall flat. However, the young cast has a captivating exuberance that suits the rough text well.
The Space on the Mile @ The Radisson, 2 - 9 Aug (not 3), 5.20pm (6.10pm), £7.00 (£6.00), fpp 239.
tw rating 3/5
[rj]

Beginners
Unfinished Theatre
Doug doesn't want to remove his whale costume; he'll only remove it if Rebecca puts down the harpoon. From the opening scene, the audience find themselves following two different, overlapping stories that convey themes of identity and truth. Making use of a quirky set and live music, this imaginative production manages to maintain a laidback, humorous tone throughout and displays an eccentric attitude towards theatre. However, this is also their downfall, as the plot becomes difficult to follow and the dialogue, although intense, can be quite confusing. The acting at times was rather eager and rushed, although once the easy going mentality of the piece became clear, the pressure to understand the play's creative and arty nature was lessened.
Zoo Southside, 1 - 16 Aug, 10.45am (11.45am), £5.00 (£3.50), fpp185.
tw rating 3/5
[am]

The Bulging Seahorse And Other Grey Matter
Root Experience
Did I really see this head-fuck of a show or did my drink get spiked this afternoon with some seriously messed-up hallucinogens? Four professors played by four intense actresses involve the audience in their predicament, taking us deep into one of their brains; we choose whose brain, go on a quest to find their 'prime professor' and save their world. Lost yet? The performers crawl through the audience, examine our clothes and ask our advice. They delight in surprises - the lively little one is particularly in your face - and the weird dances and dark lighting all draw us into this druggy dream. Experimental theatre junkies can get their fix here, but other punters should try it too; it's the Fringe, after all, so live a little.
Zoo Southside, 10 - 25 Aug, 5.30pm (6.30pm), £7.00 (£5.00), fpp 188.
tw rating 3/5
[se]

Christie In Love
Boomerang
Harrowing and uncomfortable, this adaptation of Howard Brenton's play isn't so much to be watched and enjoyed; it feels akin to having your eyes ravaged by probing fingers. Peering into dark recesses of perversion and normality during a police interrogation, 'Christie in Love' is excellently acted and well directed. Drawing its audience in from the beginning with a hook that set the almost postmodern tone, this performance was slick, very well acted, and with great direction. The three actors created convincingly rattled portraits, and the dark psychological episodes, the lighting tricks and emergence of the sinister all worked well to aid the unnerving atmosphere. I saw disturbed audience members squirming and averting their eyes; yet 'Christie in Love' is worth its dark meanderings.
Zoo Southside, 3 - 25 Aug, 2.45pm (3.30pm), £7.00 (£6.00), fpp 190.
tw rating 4/5
[ab]

Circus Oz - 30th Birthday Bash
Assembly And Circus Oz
Its quite a party Circus Oz have thrown; sparky, characterful, and buzzing with celebratory energy. Supported by their brilliant live band, the troupe leap into their diverse range of acts, showcasing with ease their traditional circus tricks and quirky comedy. Most fun of all is the bricklaying routine: loud, proud, and beefy Aussie workmen (circa 1977) display deft clowning to gleeful applause. Memorably, there is the tiny firecracker of an acrobat who performs incredible feats with her humongous hoop. The only disappointment is that the performers' talent is masked by imposed narratives and a multitude of stage-effects, yet while it is frustrating to be distracted from the achievements of the admirable bodies we watch, children chuckle and grown-ups glow.
Assembly @ Assembly Hall, 31 Jul - 25 Aug (not 11), 4.45pm (5.50pm), prices vary, fpp 191.
tw rating 4/5
[dp]

Fanny And Faggot
BEST (Bulmershe Entertaining Student Theatre)
Mary Bell's tortured, heart-wrenching scream fills the room. She and her friend play out their own murder trial, and we see a destructive, difficult and well portrayed friendship in the making. Based on the true story of Mary Bell's conviction for the murder of two boys, it raises questions of nature versus nurture, with particular reference to the influence of those surrounding us as we grow up. The script captures the two girls' youth and their struggles as they turn from children into teenagers, as they take it in turn to be questioned in court. A simple red light used at the right moments added to the seriousness of some scenes, although they could do with a bigger performance space.
The Space @ The Thistle, 12 Aug - 16 Aug, 12.05pm (12.50pm), £6.00 (£4.50), fpp 199.
tw rating 3/5
[fa]

Filch And Blunder
Village Idiots
I haven't seen a mask show this good since Trestle Theatre Company's 'Fool House'. It's entirely non-verbal, accompanied by delightful music, and the ludicrous plot line - two haphazard thieves steal an old lady's handbag only to find not money but an urn of ashes - is conveyed with humour and sincerity. What amazes me is that each incredibly intricate mask is a personality with stark character. As I watched, I almost felt the features of the mask enhance and change subtly alongside the physical expression of movement; a smirk would grow wider, an eyebrow lift, the eyes become narrower depending on a shrug of the shoulders, a tilt of the neck. Salsa, bingo and mayhem ensue - a farcical frenzy of masked theatre brilliance.
Quaker Meeting House, 11-16 Aug, 4.30pm (5.30pm), £7.00 (£5.00), fpp 199.
tw rating 4/5
[da]

Flies In The Snuffbox
The Jolly-Porter's Men (Utah Valley University)
Chekhov's short, one-act plays have been deftly handled by a solid American cast in the early stages of developing their craft. Despite a few stumbles, the first play 'The Bear' worked up to a frenetic and funny climax, the characters venting their apparent hatred for the opposite sex, whilst 'The Proposal' delivers adequate laughs and engagement in this second play about marriage folly. The poor blocking of the third play 'The Anniversary', however, detracted from the inherent humour in Dustin Condren's translation of Chekhov. Nontheless, this entire production was really enjoyable and well acted, the American company doing full justice to the words of the Russian playwright.
Rocket @ Demarco Roxy Art House, 12 - 13 Aug, 11.30am (12.30pm), £7.00, fpp 200.
tw rating 3/5
[zl]

InvAsian Festival: Another Paradise
Kali Theatre
Topical theatre, interwoven with references to recent scandals involving missing data and the validity of ID cards, 'Another Paradise' explores what might happen if the government had total control over our identities. Shifting attention from ethnic minorities who are often unfairly singled out for suspicion, this play focuses on the middle classes, who might assume they are above state intervention. In doing so 'Another Paradise' astutely provides food for thought, going beyond stereotyped ideas about just who should be 'controlled'. At just under two hours, this play is a bit too long for the Fringe, but it's a commendable and valiant attempt at exploring contentious politics. Without identification you are sent to Coventry; surely this is the powerful clarion call against ID cards we need?
ClubWEST @ Quincentenary Hall, The Royal College of Surgeons, 3 - 25 Aug, 4.45pm (6.35pm), fpp 206.
tw rating 3/5
[rsj]

InvAsian Festival: It Ain't All Bollywood
Rifco Arts
We all occasionally wish that 'real life' could be more like a film, and that people really did live happily ever after. 'It Ain't All Bollywood' touches on something truly poignant in this story of an obsessive-compulsive agoraphobic and her inability to let go of that wish. The writing is heart-breakingly sincere and Rina Fatania is exceptional as both the troubled Kiran and her antagonising mother. Director Pravesh Kumar brings us subtle wit without a trace of cliché and moments of aching sadness through his sensitive handling of the subject matter. It's not often something makes you both laugh and cry but this beautiful tale of life, loss, friendship, and Bollywood cinema might just be the one to do it.
clubWEST @ Quincentenary Hall, 3 - 25 Aug, 4.00pm (4.50pm), £9.50 (£8.50), fpp 207.
tw rating 4/5
[fc]

I Wanna Be Loved By You
About Turn Theatre Company
Marilyn Monroe: most people want to either fuck her or save her, depending on whose biography they've read. A face so well known that, even 50 years later, Topshop are selling T-shirts with her face on them. But can we ever really understand her? That's the question About Turn are looking to answer in this collection of monologues, phone calls and conversations with the important people in her life: her mother, doctor and lovers. There are no easy answers here, and, despite strong performances from the whole cast, there is something missing. Whilst having young actors play Marilyn helps to emphasise her naïve frailty, it fails to recognise her drive and ambition, leaving the character feeling a little one-dimensional.
Rocket@Demerco Roxy Art House, 11-23 Aug (not 17), 2:35pm (3:25pm), £7.00 (£5.00), fpp 208.
tw rating 3/5
[gs]

Kerouac:And-All-That-Jazz
One Off Productions
Jack Kerouac, the proclaimed 'King of the Beats', was one of the most prolific and influential writers of the 1950s. Here we're taken on a whirlwind journey through his freeflowing prose-poetry, and his Bohemian experience with drink, drugs, sex and adventure. Sadly, the whole play has a decidedly amateurish feel, from the wavering accents to some questionable direction (like the clunky, uncoordinated dances to disguise even clunkier scene changes). It's only really saved by the classic Jazz numbers between each scene, and by the overpowering lyricism of Kerouac's words; he's a man inspired by life, and the rapidly changing world around him. Read 'On The Road', because it might change your life. This play probably won't.
Sweet ECA, 12-23 Aug, 7.45pm (9.05pm), £8.00 (£7.00), fpp 210.
tw rating 3/5
[gs]

Lynn Ferguson - Heart And Sole
Gilded Balloon Productions
Perhaps Lynn Ferguson's greatest achievement is the plausibility she lends the idea of falling in love with a fish. A subject that could be Monty Python material is, in Ferguson's hands, a charming and at times poignant collection of character monologues. The leap from character to character is utterly seamless, and Ferguson herself is chameleon-like in the diversity of her personae. One teacher character makes for some humorous crowd banter, the audience becoming 'class 2' and being quizzed on fish trivia. The actual narrative itself could be more engaging, and once top gear is hit there aren't too many surprises in store, but this is an endearing performance; it could just do with a bit more drive.
Gilded Balloon Teviot, 30 Jul - 25 Aug (not 11, 18), 4.15pm (5.15pm), prices vary, fpp 213.
tw rating 3/5
[th]

Melvin Burgess - The Baby and Fly Pie
Youth Arts Leicestershire
'The Baby and Fly Pie' is a story about kids that live in a rubbish dump, but these teens from 'Youth Arts Leicestershire' are far too healthy and shiny-looking to be convincing scavengers. The plot follows the rubbish dump children as they try to return a kidnapped baby to its parents, whilst also trying to earn a reward for their efforts. Although the cast are obviously trying hard to convey the plot, they are by no means professionals, and too many forgotten lines ultimately slow down the pace, leading to disjointed dialogue. This is a pretty standard piece of youth drama, which strays far too often into the realm of school plays.
Quaker Meeting House, 11 - 16 Aug, 6.30pm (7.30pm), £7.00 (£5.00), fpp 215
tw rating 2/5
[kk]

Michael Morpurgo - Private Peaceful
Youth Arts Leicestershire
This is a young company, but it has been drilled to military perfection, as this production is seamlessly fluent; the actors swirl about taking on different characters, moving to create a new settings and making props appear as if from nowhere as they recount the story leading up to the unjust execution of Private Peaceful. The excellent unison work is a wonder to behold, but because of the staccato nature of the script, which is admittedly very effective in places, the production is not as powerful as it might be; the plot is also primarily concerned with events rather than interaction between characters, leaving little room for character development. This is nevertheless an impressive and atmospheric production well worth a look.
Quaker Meeting House, 11 - 23 Aug (not 17), times vary, £7.00 (£5.00), fpp 215.
tw rating 3/5
[jwm]

Miss Sign-On
Read Dance and Theatre Company
Life isn't easy for a diva on the dole. This feisty new musical, which bears no relation to its famous namesake (and thank goodness for that!), charts the inauspicious fall from grace of an out of work musical star. It's a light-hearted musical journey to fame and fortune - via the job centre of course - as our heroine, at the age of, ahem, twenty-six, fights furiously against the notion that she's 'past it'. The script is witty and entertaining, as are the songs, though those early on are of a notably higher quality. The multi-talented cast put on superb performances to the last, however, so if you're in the dole-drums, why not give Miss Sign-On a try?
Musical Theatre @ George Square, 31 Jul - 25 Aug (not 11 or 18), 9.25pm (10.25pm), prices vary, fpp 175.
tw rating 4/5
[seg]

One For The Road
The Rebel Players
Pinter is difficult. It's not easy watching, or the sort of show to make you leave the theatre with a spring in your step, but this cast made it as close to enjoyable as it gets. The totalitarian subject was controlled tightly as Nicholas managed to create a sense of control over the other actors that was frightening in its restraint: there was no violence, and there was no anger. His victims were well represented as downtrodden, those who had lost hope in their cause, but it was so well acted it felt that some of the blood and stage make-up was a little gratuitous. With the seagulls squawking outside, an ominous tale was re-enacted - one for the road?
The Space@Jury's Inn, 11 - 16 Aug, 8.35pm (9.35pm), £6.00 (£4.50), fpp 221.
tw rating 4/5
[rs]

Osaka 1837
Akagumi
It is difficult to describe this show in any depth, predominantly due to the fact that it is all performed in Japanese, and unfortunately that is not my forte. Although the Fringe programme describes it as 'accessible', the language barrier is obviously a difficult obstacle to overcome. Having said that, if you are keen enough to read the synopsis handed to you on entry, and you pay attention to the action of the play, it can still be enjoyable. The dialogue, costumes, music and set certainly suspended reality; for an hour I forgot I was in rainy Edinburgh and felt as if I had been propelled headlong into Japanese culture. And the rendition of Auld Lang Syne at the close of the play was sweet.
C, 12 - 16 Aug, 12.30pm (1.30pm), prices vary, fpp 221.
tw rating 3/5
[kn]

P45's In The Post
Blue Bug Stage Comedy
This chick-lit play has everything you'd expect from the genre: love, drinking, holidays and searching for happiness, as two girls try to find a career without giving up their dreams of being artists like their idol Frida Kahl, living the bohemian life when money and love seem to make it impossible. It was terribly predictable in parts, but I won't deny the story is sweet and you will fall for the characters. While it might not be for everyone, it does hit home to so many of us (especially the hundreds of artists roaming the streets of Edinburgh in August) and embraces the sort of themes that go well with curling up with a glass of wine after a hard day's work.
Sweet ECA, 11 - 25 Aug, 4.45pm (5.30pm), £7.50 (£6.50), fpp 223.
tw rating 3/5
[lh]

Summoned
Lamp Lighters Productions
Have you ever walked out of a theatre wondering what the hell just happened? No? Well, now you can. 'Summoned' is a one-woman show which tells of a girl's first visit back to her Balkan motherland. The writing is reasonable and darkly comic in places, and Irena Huljak's performance is confident, but the subject matter doesn't at first seem like something that would have you gripped. Slowly, the story unfolds and you find yourself sucked in regardless of the standard of acting and the quality of writing. Then, as things get weirder, you find yourself thinking "where on earth can this possibly be going?" Well, of course, I can't tell you that but then, I'm still not sure that I know.
Zoo Southside, dates vary, 6.00pm (6.50pm), £7.00 (£5.00), fpp 234.
tw rating 3/5
[fc]

Theatre of Sex
Cabaret Direct
This show professed to "undress sexual phobias", but left me wishing that the clothes had stayed on. Well-meaning but unfunny 'sex therapist' couple Franny Winters and Harm Groespecker trawled through a clumsy piece that barely scratched the surface of taboo, Harm looking like he'd prefer a cup of tea from the pot they sat around, chat show style, than his DIY gimp suit (one of several money-saving erotica ideas). Minimal audience and an absent singer-songwriter may, admittedly, have damaged a show that possibly relies heavily on audience suggestion, but that wasn't the only thing lacking. Certainly don't go expecting anything raunchy; this isn't a show about real sex.
C soco, 30 Jul - 25 Aug (not 11), 8.45pm (9.30pm), prices vary, fpp 236.
tw rating 1/5
[lr]

Hiawatha
Portsmouth Grammar School
Hiawatha explores traditional Indian folklore with the amalgamation of narration, dance and music, all combining to create an enjoyable toe tapping performance. The young performers are bursting with energy and enthusiasm and there are some bright young talents that prove they can sing as well as dance. The percussion throughout this performance is a vital part in holding it all together and is left in the hands of Angus Cook, who does not disappoint. Directing and choreography were of the highest standing, and the production had an authentic feel as the traditional songs and dance were performed with vigour. This is a show the whole family can enjoy.
Pleasance Courtyard, 3-9 Aug, 1.00pm, prices vary, fpp 203.
tw rating 3/5
[mi]

PoeJazzi:Spokenworld
DownHome
"Anything can happen at PoeJazzi." It is a show of words; a collaboration of artists, voices and cultures, presenting new wave beat poetry, with a musicality that rolls out a rhythmical ribbon of resonant rhetoric and rant. I witnessed an expression of thought, released through verses of rhyme that combined with regulated, syncopated, rhythms and time. This is not a set show yet, through the ebb and flow of lyrical prowess, this night inspired the linguistic juices to ooze. E. Amato, Martin Daws and Anita Govan took the mic on Wednesday night, throwing stories and slamming lubricated lyrics about life, love and Las Vegas. Anything really can happen at PoeJazzi. Who knows what you'll get, but what I witnessed was, in humble terms, marvellous.
Sweet Teviot Place, 12 - 24 Aug (not 18), 8.20pm (9.30pm), £8.00 (£7.00pm), fpp 224.
tw rating 5/5
[mj]

Cousins Rivals Queens - Part 2:Mary Queen of Scots
Regina Satire
Please lock this deranged Queen in the tower and throw away the key. On second thoughts, off with his head! What a load of absolute balderdash and piffle. Here we have the worst history lesson imaginable, delivered by what appears to be a delusional drag queen, dressed in period costume, doped on ketamine. The only proof it was theatre was that he kept forgetting her lines! How better could you spend 50 minutes of your time? Perhaps pour glue into your eyes or maybe stamp your feet in rotten fish heads; anything must be better than watching this monotonous, historic bore. Shame it's not the 16th century, at least then we could pelt such dross with rotten vegetables. Avoid like the plague.
The Space @ The Thistle, dates vary, 6.05pm (6.55pm), £6.00 (£5.00), fpp 193.
tw rating 1/5
[mj]

Godplay
Step Back Productions
Just what would you do if you met a man claiming to be God one bright morning in your local coffee shop in Preston? And what would you do if, when after having asked for a miracle, this man claiming to be God was able to transport you to a wet, wild night in Edinburgh, surrounded by people who can't help but stare at you? Godplay is one of the Fringe's most interesting theatre prospects, and one that fantastically blurs the line between the world inside the play and the world watching it performed. For just two men sitting in a coffee shop talking, this an incredibly funny and thought-provoking performance that manages to feel entirely natural throughout - a real hidden gem.
Courtyard Cafe, 2 - 9 Aug, 9.30pm (10.45pm), £8.00 (£7.00), fpp 201.
tw rating 4/5
[tm]

Nevaland (Where Boys Do Grow Up)
Castoffs 2 CO2
Thanks to Robin Williams in 'Hook', this isn't the worst desecration of J M Barrie's tale of the boy who wouldn't grow up, but it does get the silver medal. Nine-year-old Linus Jack Haddon delivers a star turn as Peter Pan, but flies off almost immediately leaving everything to go to pot. Pot being one of the many issues that gets tossed in along with alcoholism, child soldiers, honour killings, paedophilia, and the programme helpfully informs me that I missed depression, surveillance and controlling elites. All worthy issues, and the Lost Boys' efforts are admirable, however, the forcible insertion of too many tough themes into the delicate confines of Barrie's story leave it looking like a wide-eyed young chicken that's been mercilessly pumped full of pain.
Augustine's, 12 - 24 Aug (not 18), times vary, £6.00 (£5.00), fpp 218.
tw rating 2/5
[se]

Alexander (Part 1: 'Macedon's Heir')
Bartholomew Road Productions
For the first few minutes of this show I found myself cringing slightly at the over-enunciated delivery and hammed-up acting, but then I realised that this tale of the early part of Alexander's life probably deserved nothing less. The OTT style fitted like a glove around themes of sex, passion, desire and masculinity. I came to enjoy the dramatic fervour of the acting and appreciate how this was balanced out with a more delicately written script, littered with colour, texture and similes - lots of similes. "Breath like hot red dust"; "stars like ice"; "eyes like blood".... the list goes on. It appealed to my melodramatic nature and I was soon swept up in the drama and carried away on this sea of similes.
Augustines, dates vary, 2.45pm (3.45pm), £8.00 (£6.00), fpp 181.
tw rating 3/5
[afd]

Alexander (Part 2: 'New Worlds And Nightfall')
Bartholomew Road Productions
The plot of this play does not thicken so much as lurch, too swiftly, careering from Alexander the Great's conquests in love to his conflicts in war. The lack of considered progression in the narrative is only exacerbated by the uneven performances. All the actors' faces contrive to be convincingly fourth century BC, but their speech is either rushed or stilted. 'Alexander' explores the great man's intense personal relationships, yet, when assembled on stage the toga-clad cast are awkward with one another and consequently the sense of passionate loyalties and strong homoerotic bonds is faint. It is only in soliloquy that the cast are able to show off their talent, and this alone is not weapon enough to conquer the audience.
Augustine's, 5 - 17 Aug (odd days only), 2.45pm (3.55pm), £8.00 (£6.00), fpp 181.
tw rating 2/5
[dp]

Anna Bella Eema
Aces Wild
It's hard to know what to make of 'Anna Bella Eema', a self-proclaimed 'ghost story' that purports to deal with the bond between a mother and her daughter. Heavy on metaphor, the play uses poetic images to follow the development of a little girl in a stifling environment. The characters are well drawn - especially that of the mother - but the symbolism got a bit much as the play progressed, almost like a friend telling you about a really meaningful - but nonetheless boring - dream they had. The rich language, strong acting and excellent sound design help move the play along but this is hindered somewhat by the heavy-handedness with which the themes are put forward.
Rocket @ Roxburghe Hotel, 2 - 16 Aug, 12.10pm (1.20pm), prices vary, fpp 183.
tw rating 3/5
[amc]

Baldanders
Kompania Doomsday
'Baldanders' was so weird and so surreal that on leaving the venue I wondered if I had dreamt it, or if burning the Fringe candle at both ends had taken its toll on my sanity. But no, it was no dream; the reality of 'Baldanders' is a descent into a gothic world of Machiavellian demons, disembodied heads and metamorphosing spirits. Marcin Bikowski plays Baldanders, a creature who repeatedly possesses the body of other beings; this is portrayed with extraordinary puppeteering by Bikowski whose animal agility and protean physicality are formidable and beautiful. Baldanders' struggles with his freakish counterparts are punctuated by impenetrable but brilliantly executed speeches by Double Head, played by Marcin Bartnikowski. This Polish company's show left me impressed yet dumbfounded.
Hill Street Theatre, 1 - 25 Aug (not 6, 13, 20), 7.50pm (8.40pm), prices vary, fpp 184.
tw rating 3/5
[dp]

This Must Be The Place
Arizona Bay Productions
A dark, forbidding performance highlighting the futility of life and inevitability of death is a macabre, yet intriguing way to pass an evening. Drowning in apathy, our protagonist struggles with the fear that he is gradually becoming the very novel he is trying to write. He flirts with the idea of suicide and questions his sanity, forcing us to consider why it is that, in the end, neither life nor death actually matters. Despair and depression are captured with such poetic flair - words tumble forth, rising and falling, tide-like: the execution is beautiful. He morphs disturbingly from character to character in a visually stunning sequence, and the constant flow of words is perplexing but delightful. I advise you to drink this one up.
Rocket @ Roxburghe Hotel, 2 - 23 Aug (not 10, 17), 7.40pm (8.20pm), prices vary, fpp 236.
tw rating 5/5
[ks]

Vanities
The American High School Theatre Festival
Three strong, talented young performers radiate star quality in this comedy exploring the future of best friends growing up. Despite being a comedy, the play fails to get many laughs, partly because of its adult nature and partly due to rushed lines and anticipated acting. On the other hand, these girls portray three changing time frames as the play progresses, from the characters' teenage years to adulthood, with real maturity. The long length of the play is not helped by some appalling scene changes; as the actors change into full costume and makeup after each time chapter, the audience is left for five minutes twiddling their programme, and the show does drag after a while.
Church Hill Theatre, 15 - 18 Aug, times vary, £6.00 (£4.00), fpp 240.
tw rating 3/5
[kc]

Frida Kahlo:Viva La Vida
Tirso Theatre & Footprint Project
Biographical plays are always problematic as it's a challenge to do justice to a life lived in full yet still obey the rules of drama. This paean to the painter Frida Kahlo, while true to her fiery, passionate spirit, suffers due to a lack of structure and a singular childish tone. There's no weight to balance the passion, instead the story darts here and there, representing her stream of consciousness rather than her drama. It works best when relationships develop, as with her maidservant, or through the simple yet clever rendition of her horrific accident which adds gravity and dignity to her story. Gael Le Cornec performs with ease and exuberance, but the play itself feels forced.
Hill Street Theatre, 1 - 25 Aug (not 20), 6.55pm (7.50pm), prices vary, fpp 201.
tw rating 2/5
[sr]

The Miller's Tale
Hartshorn-Hook Productions In Association With Angels And Virgins Theatre Company
In this production, Chaucer's 'The Miller's Tale' is performed in Middle English but with subtitles and silliness, and is juxtaposed with a modernised version. Ladies' man Nick takes a quiet lodging in order to crack on with his dissertation on female sexuality in literature, but gets distracted by his gorgeous new housemate. It's updated with lashings of boobs and bum(ming) humour that's a touch puerile, but no filthier than the original. The switching between the two tales is a little clunky, but overall the concept works well, and some seriously sexed-up performances are delivered with panache by a company of bright young things. 'The Miller's Tale' smacks of literature students showing off, but as a rude and raunchy romp it's rather enjoyable.
C soco, 15 - 25 Aug, 11.00am (12.00pm), prices vary, fpp 216.
tw rating 3/5
[hw]

Written Off
Cicero Productions
Though 'Written Off' won't teach you any of life's lessons, making about as much sense as coffee flavoured chocolate, it will provide a fun distraction from the more serious themes of many plays at the Festival. There is a tendency to veer dangerously close to fitting in unbelievable situations for lazy comic effect, but it just about manages to stay on the right side of the line which separates harmless frolics from stupid japes that render all plot lines pointless. Just prepare to suspend your disbelief, and you'll be entertained as this story goes far beyond its simple premise of two writing partners meeting up for the first time in years. Further, indeed, than you may have thought possible.
The Space on the Mile @ The Radisson, 11 - 23 Aug (not 17), 1.45pm (3.15pm), £7.00 (£5.50), fpp 242.
tw rating 3/5
[tm]

VISUAL ART

Vietnamese Propaganda Posters
The Nomads Tent
I find wartime domestic politics fascinating, in particular the issues of censorship and propaganda, so I was eager to see an exhibition of propaganda posters from a country that has had a turbulent 20th Century. I was disappointed to see that in this selling exhibition all of the posters displayed were reproductions which I rather imagine could be bought from an old man on a street in Ho Chi Min city for under 50p, as opposed to £20. That aside, the images are interesting, differing from other Communist posters in their softness and femininity, although still retaining a great deal of red, and extremely different from the visceral brutality of Fascist propaganda. An educational insight into Vietnam under Communism.
The Nomads Tent, 6 - 20 Aug, 10.00am - 5.00pm, free, fpp 136.
tw rating 3/5
[gm]

Reviewer details are online at www.threeweeks.co.uk