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And today in the photo slot - when photographers try and be arty to combat terrible lighting conditions. Kristin Hersh on The Edge, 'Parallel/Parallels' at Dancebase and 'Cinderella' at the Assembly Rooms. Arty shots by Kat Gollock and James Robertson.

TOTAL THEATRE WINNERS ANNOUNCED
It's that time of the Festival where there's so many flippin awards being announced you stop having to write real news and get away with just publishing a load of lists cut and pasted straight out of press releases. I love this time of the Festival.

First award of the day, the Total Theatre awards, the shortlists for which we reported on the other day. The overall winners in each Total Theatre category were announced on Thursday and are as follows...

Total Theatre Award for Experiment and Innovation
Ontroerend Goed, Kopergiettery & Richard Jordon Productions for 'Once And For All We're Gonna Tell You Who We Are So Shut Up And Listen' at Traverse Theatre

Total Theatre Award for a Graduate Company
Little Bulb Theatre for 'Crocosmia' at The Space on the Mile@The Radisson

Total Theatre Award for Story Theatre
Puppet State Theatre Company 'The Man Who Planted Trees' at Scottish Storytelling Centre

Total Theatre Award for Visual Theatre
RedCape Theatre for 'The Idiot Colony' at Pleasance Dome

Total Theatre Award for a Young Company
THE TEAM & National Theatre of Scotland Workshop for 'Architecting' at Traverse Theatre

The Total Theatre Award for a Significant Contribution to Physical and Visual Theatre
Footsbarn Touring Theatre

--

FREEDOM OF EXPRESSION SHORTLIST
From awards proper to another shortlist. This time for the rather fine Freedom Of Expression Award presented each year by Amnesty International and the Big Issue In Scotland, which recognises Festival productions which make a significant contribution to the public's greater awareness and understanding of human rights issues. 41 productions were deemed eligible this year, and five of those have been included in the shortlist. They are as follows...

Richard Fry for 'Bully' at Gilded Balloon Teviot

The Paper Birds for 'In A Thousand Pieces' at Gilded Balloon Teviot

Sherman Cymru for 'Deep Cut' at the Traverse

Red Cape Theatre for 'The Idiot Colony' at the Pleasance Dome

Live Theatre for 'Motherland' at the Underebelly

Commenting on this year's shortlist, Amnesty's John Watson told ThreeWeeks: "Challenging, thought-provoking theatre is alive and well at the Edinburgh Festival, with a record number of productions entering this year's Freedom of Expression Award. Narrowing this down to just 5 has been difficult but we can now present an excellent shortlist which does credit to the Fringe's tradition of freedom of expression".

The final winner will be presented at an event on Charlotte Square tonight (Friday) at 5.30pm.

--

NEW COMEDY AWARD ANNOUNCES SHORTLIST
And another shortlist for you now, and the nominations for this year's Malcolm Hardee Award, a new comedy award, named in honour of the late great comedian and comedy agent Hardee, obviously, and being presented for "comic originality of thought or performance" at the Fringe. And I have to say their shortlist is one of my favourites so far this festival, containing, as it does, the following...

Edward Aczel for 'Do I Really Have to Communicate With You' at Underbelly

Peter Buckley Hill for the PBH Free Fringe

Aindreas de Staic for 'The Year That I Got Younger' at Sweet, Grassmarket

The Fringe Box Office for introducing surreal humour into the normally dull ticketing process

Otto Kuhnle fpr '1000 Years of German Humour' at Underbelly

The award itself will be presented at tonight's (Friday's) 'Late N Live' at the Gilded Balloon by Malcolm's son Frank and sister Clare.

Their press release also offers a "special nod" for Gill Smith, who's show 'OCD: My Family And Other Anals' is on at the Counting House. And here's why...

"Gill sent an e-mail nominating herself for the Award on the basis that she could then legitimately put on her posters 'Nominee - The Malcolm Hardee Award' - and pointed out that she believed Malcolm would have approved of this. He would indeed, but she gets disqualified for being a smart arse, though she is obviously logically right to call herself a Nominee on her posters".

--

CLIVE JAMES TO PRESENT IF.COMEDY AWARDS
And finally, Clive James who is, of course, in town doing his chat thing over at Assembly, has been confirmed as host for this weekend's if.comedy awards at the Jam House. He will join last year's winner and fellow Aussie Brendon Burns in presenting this year's if.comedy gong and a cheque for eight grand to Rhod Gilbert... Or David O'Doherty. Or Russell Kane. Or even Kristen Schaal and Kurt Braunohler, who knows? I know I don't. The award will be presented around about midnight on Saturday night.

Send in news: editor@threeweeks.co.uk

Answering the ThreeWeeks Quick Quiz today... Andrew Stanley

	1. What is your 2008 show all about? Food food food, racial prejudice, food food food, apartheid, food food food, and a cry for freedom. 2. Why should we come and see it? You see two real live South Africans in Edinburgh, and an obsessed Canadian. You will find it amusing as well as being touched, and if you are already touched then maybe you can learn a thing or two about South Africans.

4. What are you most looking forward to about this year's Festival?
People clutching onto their Fringe programmes looking for a show to go to... our show... our FREE show!

5. What are you least looking forward to about this year's Festival?
The rain!

6. What advice would you have for someone trying to navigate the Fringe?
Find a venue you like and see all the shows there, the Counting House for instance

7. What advice would you have for someone trying to survive the Fringe?
It’s like giving birth, don’t think of having your next child yet, just enjoy this one, and then take a long break

8. Describe your show in three words
Hungry political satire

The American', the Coloured and Me, Laughing Horse @ The Counting House, 31 Jul - 25 Aug (not 24), 7.20pm, free.

Even more reviews for you! Remember only a selection of our reviews appear in the printed Daily and Weekly, they all appear here in the eDaily. Enjoy...

Speedy links:
Books - Children's - Comedy - Dance - Events - Music - Musicals & Opera - Theatre - Visual Art

ThreeWeeks Ratings Explained
1/5: Bad
2/5: Mediocre
3/5: Good
4/5: Very good
5/5: Excellent

BOOKS

A C Grayling
Edinburgh International Book Festival
240 years since its first edition, A C Grayling and Steward Sutherland talk about the origins of the 'Encyclopaedia Britannica' and the era of its birth - 18th Century Enlightenment. Both speakers have lent more than a hand in the modern incarnations of the encyclopaedia, and both gave what I felt were quite hefty introductions to the topic of the Enlightenment and its legacy. Nonetheless, it's impressive to be able to cover the Enlightenment in such depth in such a short time, and the explanations were clear and drew interestingly on issues that are still potent today, such as the split between Romanticism and empirical Reason and discussions on democracy. Fascinating, although a little too much to take in at seven in the evening.
ScottishPower Studio Theatre, Aug 14, 7pm, bfpp 24.
[sh]

G W Dahlquist & Thomas Glavinic
Edinburgh International Book Festival
Neither Gordon Dahlquist nor Thomas Glavinic are strangers to inspiration in the dead of night, both having conceived their novels either through dreams or disturbing thoughts in the small-hours. Nonetheless, apparently darkness inspires very different emotions in the two authors; Dahlquist's reading was steeped in a sort of gothic Victorian eroticism while Glavinic's tended very strongly towards fear, tension and isolation as his main character, Jonas, suddenly finds himself left entirely alone in the world. Both the readings and following discussion were tantalising inducements to read both Glavinic's 'Night Work' and Dahlquist's 'Dark Volume' - if it wasn't for the idiotic questioner at the end who gave away the former's plot, despite desperate hints from the author. So much for audience participation.
Writers' Retreat, Aug 14, 4.30pm, bfpp 23.
[sh]

Ian Rankin - The Times and Sunday Times Scotland Event
Edinburgh International Book Festival
Sitting amongst Rankin's sold-out, wide-ranging audience, who hung on every word of this man who has become an Edinburgh institution, I wished I had read more of his books. Extremely likable, he was asked mainly about the various projects he's undertaken since 'finishing' Rebus. We find out, therefore, that he's been writing a graphic novel, a novella for reluctant readers and even trying his hand at backing vocals, but he also boyishly discussed his collection of vinyl and 'addiction' to eBay. While he suggested "It's a great time to be a writer or artist right now. We don't know what way the country's going to go", one can't help but think that he'd have plenty of support if he entered the political world.
RBS Main Theatre, 14 Aug, 8.00pm, bfpp 24.
[js]

James Kelman
Edinburgh International Book Festival
Prose readings are often imagined as terribly intellectual affairs, boring enough to induce elaborate daydreaming amongst many. But today, James Kelman proved that this is not always the case; authors are perfectly capable of reading their work with the same kind of creativity with which it was first conceived. Reading from his new novel, 'Kieron Smith, Boy', Kelman brought the humour, empathy, and of course the Glaswegian accent that is so fundamental to the text. He also provided some great insights about language as political, which later led him to talk about the hostility he experienced at the hands of the literary elite when he won the Booker Prize in 1994. A superb discussion with one of Scotland's most important writers.
RBS Main Theatre, 14 Aug, 11.30am, bfpp 22.
[rg]

Sergio Della Sala
Edinburgh International Book Festival
Is it true that we only use 10% of our brains? Is spinach really that good for us? And if we play Mozart to our children, will it actually increase their intelligence? Sergio Della Sala's answer to all these questions is a resounding no; these are exactly the type of scientific myths which he wishes to debunk. The topic of this talk was the use and misuse of neuroscience in education, but it wasn't as difficult to understand as one might expect. Engaging, interesting, and perfectly accessible to those who are inept in the scientific domain, this was a fascinating talk. Definitely an intriguing induction into the way our brains work, leaving you thinking about what and how we know.
RBS Corner Theatre, 14 Aug, 5.00pm, bfpp 23.
[rg]

Language Quiz
Edinburgh International Book Festival
This quiz, sponsored by Chambers dictionaries, was like being in the audience for one of the more highbrow TV panel shows. Hosted by Mark Billingham, our 'contestants' (Ed Byrne, Jenny Colgan, and Christopher Brookmyre) are given words that they have to define, or are given definitions that they have to give the words for. It's all very witty, fast-paced etymological humour mixed with crass jokes about porn and drinking. It's educational too: I now know what a 'vibroslap' is, and my rhyming slang ("two pints of Nelson Mandela anyone?") has vastly improved. Probably not for anyone who's particularly precious about the English language, this show will demonstrate it in all it's glorious silliness.
ScottishPower Studio Theatre, 18 Aug, 7.00pm, bfpp40.
[gs]

CHILDREN'S

Pick 'N' Myths
Onassis Programme
Greek myths with happy endings are the order of the day for Onassis Programme, who retell the classic stories in a clear and simple way. Using only minimal props and a few musical instruments, they transport us all around Ancient Greece and back again without ever leaving the stage. Nothing fancy here but they give a well thought-out performance that's guaranteed to get the little ones singing and giggling along... and some of the big ones too. Being only twenty-five minutes, this is charming pre-lunch fun - just long enough squeeze in a good chunk of interactive story-telling without losing anyone's attention. And at such a tiny price, you can take the whole clan without breaking the bank.
Pleasance Courtyard, dates vary, 11.30am (11.55am), £3.00, fpp 17.
tw rating 3/5
[fc]

COMEDY

Adventures Of An Orgasm Donor
Donald Mack
Donald Mack seems to resent being on the Free Fringe, and he slightly resents his audience members for not bringing more of their friends, laughing louder, or making the hour pass faster. We started by saying where we came from - I think he had a Wales gag he wanted to tell - but the whole thing just became a listing process. Mack is a confident performer who can certainly tell a story, but the audience was usually left searching for a punchline, and those that did come lacked follow-up. He also forgot to tell us what an orgasm donor was, not a great move when it's title of your show. We left smiling, but glad we hadn't paid.
Lauching Horse @ Espionage, 31 Jul - 25 Aug (not 20), 7.15pm (8.15pm), free, fpp 22.
tw rating 2/5
[seg]

Ahir Shah And Alex Maple: One Boy. One Man. Two Comedians.
InvAsian Festival
Either he knew I was a reviewer (and thought he could sweeten me up) or I was just hit on by Alex Maple. If so, then I can console myself that Maple is apparently the 'Man' of this ensemble. Impromptu flirting aside, Maple and his colleague Ahir Shah show promise with well-observed films, comic sketches and ironic takes on race. However, given their age, they should avoid sexual innuendo (wait till you are a bit older before you delve into that comic can of worms, boys), indeed at times they sounded like sexually frustrated teenagers (which they probably are). These two could go far if they stop unwittingly grooming lady reviewers, who admittedly shouldn't sit directly in front of the stage.
clubWEST @ Quincentenary Hall, The Royal College Of Surgeons, 3 - 25 Aug, 7.00pm (8.00pm), £8.50 (£7.50), fpp 23.
tw rating 3/5
[rsj]

Andrew Stanley: Some Things That Occurred To Me In The Last While That I Thought You Should Know About
Lisa Richards in association with Edcom8
This Emerald-isle citizen only eats greens; being a vegetarian in Ireland isn't easy, he tells us, but it's not as bad as touring barbecue-obsessed Oz. He's sick of people offering him chicken as a less meaty option and demonstrates the absurdity perfectly by imagining a similar reaction to homosexuality, although on that score I'm quite a fan of chicken. Morsels like this were appetising, however it was very much nibbles when I hungered for a full course meal. Relying on his MC experience - asking the audience the standard questions - didn't allow the routine to progress anywhere and left it looking unremarkable, just another one of countless compere conversations. The dish this veggie serves up is tasty but it needs more meat.
Gilded Balloon Teviot, 30 Jul - 24 Aug, 7.30pm (8.30pm), prices vary, fpp 27.
tw rating 3/5
[se]

Bryan Lacey And The Leaders Of The Free World
Bryan Lacey and Tom Davies / PBH's Free Fringe
Why must comedians insist on opening a gig by asking where the audience are from, and then trotting out a couple of very tired jokes about that place? Do they think that we have never seen a comedian do this before? Bryan Lacey is a lazy, predicable comedian with a very annoying little snigger he likes to throw in when he is especially amused by one of his own jokes. The 'Leaders' of the title are one-dimensional characters portrayed by Tom Davies, whose only joke appears to be making embarrassed audience members do silly things. At the end, Lacey produces a guitar and proceeds to sing one of the least funny songs I've ever heard. And it doesn't even scan properly.
Madogs, 2 - 23 Aug, 2.45pm (3.45pm), free, fpp 35.
tw rating 1/5
[rj]

The Electric Cabaret
C Presents
Well, it certainly wasn't electrifying. Nevertheless, this was largely due to the criminally small turn out; I was one of a crowd of six. I appreciate it's on late and that there are other alluring, enticing and more popular Cabaret shows on offer, however, as far as late night cabaret goes this one has the potential to be fantastic fun, if only there were more folk around to energise it. In spite of this, our compere, Amadeus Martin, did a sturdy job of entertaining and introducing two bright acts. I especially enjoyed Juliet Meyers' set, and Eddie's character, the hardest doorman ever, Gary Strong, was also quite amusing in a dead-pan kinda way.
C Central, 11.45pm (1.15am), dates vary, prices vary, fpp 48.
tw rating 3/5
[da]

Electric Mouse: A La Carte
Thank the Lord that this was a free show or I would currently be asking for a refund. In the Bible (the Fringe programme), it is described as "offbeat, weird, sometimes tasteless", when actually it should read something along the lines of "cringe-worthy, tedious and bad". The first act on, a lady called Jo, was as good as it got; her quiet desperation was followed by some truly terrible 'comics'. The hecklers were the only people that got the laughs, the rest of the time it was mainly uncomfortable, forced chuckles. The Bible also says 'roll with tears of laughter'. I wanted to cry, not tears of laughter, but tears of sadness that I had spent an hour listening to people who seemed to have verbal diarrhoea.
Laughing Horse @ Espionage, 11 Aug - 25 Aug, 2.35pm (3.35pm), free, fpp48.
tw rating 1/5
[fa]

Feasting On Flesh
Assembly & Strut N Fret
Dionysus must have had a hand in creating this show, and like his servants, I gorged myself senseless on this deranged, provocative, and smutty, funny offering. Although circus skills such as juggling, acrobatics, and aerials form the skeleton of the show, they are blended seamlessly with garish lighting, music by Gotye, and dirty thoughts from the self-deprecating host - you'll never eat a fig the same way again. Aside from the initially shocking full-frontal male and female nudity, this circus show manages to transform into a captivating visual experience that even includes human heads on platters. Strut N Fret have served up another 'La Clique', only much more decadent and unsavoury. If you are this way inclined go and indulge for yourself.
Assembly @ George Street, 5 - 19 Aug (not 11), 10.30pm (11.30pm), prices vary, fpp 49.
tw rating 5/5
[zl]

FXP2 In Trouble!
Abingdon 752
Four guys and one girl have put together this wonderfully funny sketch show, in which each and every scene is different, clever and entertaining. The show started off being amusing, but towards the end, the performers seriously pulled out all the stops, and the last few sketches had the audience practically rolling on the floor laughing. The skits were all fairly short - mostly spoofs of television programmes that will be familiar to any audience - and the players were all very talented, had perfect timing and managed to remain totally deadpan. Great use was also made of the space, the whole theatre being utilised: one performer even clambered through the audience and over the seats. Very professional and very, very funny.
C Soco, 11-25 Aug, 2.45pm (3.35pm), prices vary, fpp 52.
tw rating 4/5
[lp]

The Good, The Bad And The Funny
CP Productions
They seemed like nice people. I know this comment will be of little consolation, but I do honestly believe they could be fun to go down the pub with to have a bit of banter, a joke and a laugh. Sadly, their show was pretty terrible. They were at their best when mocking themselves and it was as if they knew their jokes were rubbish; at one point they even apologised for having an "old and used" repertoire. There were lots of dodgy puns, their humour lacked complexity and depth, their gags were often tenuous and was all very predictable. They did have nice voices and I'm sure their mothers love them, but the title's sandwich-filling carries the most credence.
Sweet Teviot Place, 11 - 17 Aug, 2.50pm (3.50pm), £8.00 (£7.00), fpp 55.
tw rating 2/5
[mj]

Happy Now
Young Marriage Club / PBH's Free Fringe
Comedy is one of those things that can be successful when incredibly simple or ridiculously complicated; the best parts in this performance were the jokes made out of the English Language's idiosyncrasies. These actors are witty and produced very funny moments, but they have not yet mastered the art of condensing material in order to keep the audience's attention throughout: I found that there were times where my mind began to wander, despite the fact that this show is one of the more organised and well thought-out performances I have seen on my travels around the Festival's free events. I would recommend a visit as you really have nothing to lose apart from a pretty penny if you order a drink!
Beehive Inn, 2 - 23 Aug, 2.45pm (3.35pm), free, fpp 57.
tw rating 3/5
[mi]

Hoopla - Free Impro Show
Hoopla Impro/PBH Free Fringe
Improvised comedy sketches are bound to be hit and miss; give an audience too much say over your material and you're letting yourself in for a whole lot of trouble. Here we had five comic actors playing a selection of typical improv games dependent on audience suggestion, and I have to give them credit; they certainly held their own and produced some funny material. Some of the players were better than others but that adds to the fun, especially when you get to strike them down for hesitation, repetition and general faltering. A show like this can stand or fall on the quality of the audience, however; mine were an obscure lot, but kept me entertained.
The Standing Order, 2 - 23 Aug, 5.15pm (6.15pm), free, fpp 59.
tw rating 3/5
[mj]

The Hysterectomy Boys
The Cambridge Medics Revue
Gandalf gets served in this comedic contribution from the Cambridge Medics, during a particularly vicious round of 'Yo Momma' jokes. This is typical of the sort of offerings to expect: nothing too objectionable, all fairly funny, but nothing terribly original. The troupe - although slightly lost-looking on a too-big stage - showcase some sketch comedy which is technically competent, although no real personality is allowed to shine through, leaving the audience a bit detached from the proceedings. However, it's all good modern stuff, dealing with contemporary issues: Tesco's gradual world domination, subliminal advertising in the church, the youth of today. The best bits are the song parodies, each of which is very funny and politically relevant. Overall, this is good stuff.
C soco urban garden, 10 - 25 Aug, 8.15pm (9.15pm), prices vary, fpp 59.
tw rating 3/5
[ks]

Jeff Green: Life Ache
Off The Kerb
Imagine if your dad, Jasper Carrot and a Butlin's cabaret compère assembled one day and said "Hey! Let's get together and head to the Fringe, where we will conveniently roll ourselves into one man and entertain the over 35s." Enter Jeff Green. Beyond the spectacular tie, he does little to excite, especially if you are childless, do not own a caravan, and are uncomfortable listening to sex stories from a man who sounds like a Jackanory narrator. However, Green knows his audience, and his chatty puns keep them laughing, whilst his likeable character keeps the lackadaisical smiling at least. It's gentle comedy - fine for his contemporaries, but for those without a mortgage it's less 'Life Ache' and more ball ache.
Assembly @ George Street, 31 Jul - 25 Aug, 7.50pm (8.50pm), prices vary, fpp 64.
tw rating 2/5
[ha]

Maureen Younger - Free
Maureen Younger/Laughing Horse Free Festival
It takes a certain kind of woman to perform stand-up in front of her mother - or a certain type of mother - and I think in this case the word for both might be 'feisty'. This is only a short show, billed at half an hour, but with about ten minutes devoted to welcoming stragglers into the fold, perhaps to the detriment of the show, but to the benefit of the friendly atmosphere. Maureen tells of her mother's escapades with muggers and her own devious ploy to get seats on buses, as well as the "gentleman caller" who made her "howl like a hound". For all that this show deals primarily with Maureen's sex life, it's not crude, just engaging and funny.
Laughing Horse @ Jekyll & Hyde, 31 Jul - 14 Aug, 2.20pm (2.50pm), free non-ticketed, fpp 77.
tw rating 3/5
[jwm]

No More Mr Nice Guy
James Dowdeswell
James Dowdeswell tells us how he's going to be more assertive to counter-balance a life's worth of being a nice person - and he does it, well, nicely. More a storyteller than comedian, he localised mildly amusing anecdotes with Edinburgh references and his stories were believable yet not necessarily funny; maybe his humour wasn't for me, though, as there were others who managed to find things to laugh at. Instead of laughing I found myself smiling, listening and appreciating what he was saying, but not really being amused. He also makes some self-deprecating comments which again weren't hugely funny, but it is hard not to like this guy as he does seem to be very pleasant, and, though he might hate me for saying it, nice.
Underbelly, 31 Aug - 24 Aug (not 13), 7.55pm (8.55pm), prices vary, fpp 82.
tw rating 2/5
[fa]

People Will Talk: An Improvised Play
Spontaneity Shop
Sometimes I wonder what is going through audience members' minds. When asked to suggest five random things that would contribute to this improvised play, the suggestions of this sorry bunch included Mama Mia, Vampires, and 'tea-bagging'. How the hell do you make a play out of these questionable topics? Well, 'Spontaneity Shop' proves it can be done without literally descending into the murky world of 'tea bagging' - although this might have been more interesting than the mediocre and disjointed play that was produced. In theory, improvisation and audience input make for a lovely idea, however, in practice I couldn't help but wonder why 'People Will Talk' was in the comedy section, because it simply wasn't funny - not even with 'tea-bagging'!
Sweet Teviot Place, 11 - 24 Aug, 5.30pm (6.20pm), prices vary, fpp 86.
tw rating 2/5
[rsj]

Scott Capurro Goes Deeper
Underbelly Productions
Outstanding, outrageous, and oh so very, very funny. Capurro is completely unrestrained, and is so far beyond offensive, that he almost isn't. Expect extreme blasphemy, throwaway attacks of strong language, all topics of taboo positively annihilated, material which is delivered with ease, excitement and a strange kind of innocence. Some of his most shocking material includes the Holocaust, the Qur'an, rape fantasies, Aids, Alan Carr and Maddy McCann. No one left, or anyone who did came back willing for more, perhaps because they're aware of the exhilarating, tormenting, sharp and slick ride Capurro has in store. I don't need an excuse to give him an extra star, I only see no good reason to take one away.
Underbelly, 9.15pm (10.15pm), dates vary, prices vary, fpp 94.
tw rating 5/5
[da]

Summat An' Nowt
Olivia Neville
Summat An' Nowt - that's something and nothing to anyone who doesn't come from somewhere up north. Olivia Neville comes from Lancashire, and delivers a collection of female characters that could be found anywhere; a girl stuck on a crowded train, a crazy granny, a tired mum. Considering that this is a one-woman show, Neville does a fantastic job of painting vivid scenes that the audience can fully visualise, using gentle humour to poke fun at the ordinary, which seemed to cater very well to the older audience. The sketches were possibly a little too long, but this wasn't too much of a problem as the scenes weren't punch line-orientated, being more like amusing snapshots.
Underbelly, 31 Jul - 24 Aug, 2.50 pm (3.50pm), prices vary, fpp 100.
tw rating 3/5
[gm]

Wilson Dixon Rides Again
Stand Comedy Club
All the way from the wild west, cowboy Wilson Dixon brings us his good ol' country songs and jokes. Both the songs and the anecdotes are amusing and well told, with pauses in all the right places, and facial expressions which encouraged even more laughter. However, although entertaining, the stories and the songs began to lose their initial appeal: they were all so similar and the material could have done with a bit of mix 'n' match to help it stay interesting. The audience, however, did seem to be loving the show, but it was mostly the older folks who were doing all the laughing. Good for a little giggle, but nothing more than that.
The Stand Comedy Club III & IV, 31 Jul - 24 Aug (not 11), 6.00pm (7.00pm), prices vary, fpp 110.
tw rating 3/5
[lp]

The Worst Zoo In Britain
Tudur Owen
Tudur has been wanting to tell the story of how his picture got into a national newspaper for over twenty-five years, and with good reason. In short, his family had set out to run a zoo in north Wales and, not surprisingly, it went about as badly as the title suggests. It's one of those strange real life stories that make for good one-off TV shows; stories which are so unusual they can only be true. Whilst the laughs aren't as frequent as they could be, Owen is a talented storyteller and only has to tell the tale without embellishment to get the audience hooked. Don't go expecting to see first-rate comedy, but instead stay for the top-notch anecdotes.
The Zoo, 1 - 25 Aug, 5.15pm (6.15pm), prices vary, fpp 110.
tw rating 3/5
[lh]

Zoe Gardner's Fault
Festival Highlights
Zoe Gardner is one of those comics that have been marketed as one of this year's great hopefuls. Sadly, this is a whole lot of hype that is awfully hard to live up to, and Zoe doesn't quite manage it this time. Don't get me wrong, her act contains oodles of good material, but it's the inconsistency of the quality and development of her characters that lets things down. There are high points, though; the character of Kayley the care assistant was one of the particular stand outs, and altogether, this is quite an ambitious concept for a one woman show, with which Zoe proved that she is a talented actress with much potential.
31 Jul - 24 Aug (not 13), 5.20pm (6.30pm), prices vary, fpp 111.
tw rating 2/5
[mb]

The Arab, The Jew And The Chicken
Conflictrelief
Any sketch troupe that makes Leona Lewis's "Bleeding Love" an entertaining satire of the Israeli-Palestine conflict is worth the money in my book. Wonderfully politically incorrect, the quartet makes light of the touchy subject through strong character sketches. Although much of the humour is derived from amusing accents and funny faces, it's not without its imaginative writing, and intermittent, occasionally irreverent, chicken references - think 'Goodness Gracious Me' on acid. Reducing the conflict to daytime talk shows, sexually frustrated UN debates and dance-offs makes for interesting, and very funny skits. The show boasts some brilliant character acting, but is sadly let down by a limited range, as some stereotypes are hammered a little too hard to home.
C Central, 1 - 25 Aug, 8.35pm (9.25pm), prices vary, fpp 28.
tw rating 3/5
[ha]

Barry Cryer & Ronnie Golden
Gilded Balloon Productions
Chances are you already know who Barry Cryer is, and therefore probably know whether you want to go and see him or not, and this review should not change your opinion. The Radio 4 personality and his 'carer' Ronnie Golden, a fantastic guitarist, sing silly songs best described as 'zimmerframe blues'. Very much focused on the perils of old age, puns are thrown around the room with expertise - the result of a half century of performing. Unlike other older comedians, they haven't dated, and are in it to make people laugh. It's just good old fashioned daft comedy and groaning gags. If you enjoy Cryer's capers on the wireless, then you will enjoy this.
Gilded Balloon Teviot, 16 - 24 Aug, 6.45pm (7.45pm), £12.00 (£10.00) fpp 31.
tw rating 4/5
[rh]

Chris Brooker: Unstoppable @ Laughing Horse Free Festival
Chris Brooker
Chris Brooker is a particularly juvenile 32-year-old. He's still living like a student, avoiding mortgages and anything resembling a real job, and is overly proud of his XBox 360. So begins eighty minutes (apparently he's not organised enough to buy a watch) of familiar jokes: fighting over the best mug, who took the bins out last and how, eventually, all of us will start talking to our cats in a slightly creepy way. There's a huge jump in tone towards the end when, in reflecting on the death of a close friend, Chris conveys the realisation that he should probably get off his arse and do something. This was poignant and strangely inspiring, but ultimately killed off what had been a very funny mood in the room.
Laughing Horse@Meadow Bar, 10-25 Aug, 10.35pm (11.35pm), free non-ticketed, fpp 38.
tw rating 3/5
[gs]

Hamlet - Without The Prince
Top Edge Productions
This show has perfected the theatre of tedium by employing a company of dull actors with appalling dynamics to spew random illogical excerpts of 'Hamlet', tormenting the paying crowd for forty-five long minutes. After a shambolic lecture from a Liverpool fan ranting about how William Shankly - former manager of the football team - actually wrote 'Hamlet' instead of William Shakespeare, in light of news this year that Liverpool has been named the European Capital of Culture, I contemplated faking a faint to hasten my escape. Add to this a loud director laughing at the jokes before they happen and the result is an illogical script, delivered by wannabes that have criminally used fragments of Shakespeare to abhorrent effect.
The Space @ Jury's Inn, 18 - 23 Aug, 6.40pm (7.25pm), £5.00, fpp 57.
tw rating 1/5
[zl]

John Pinette - I Say, Nay Nay
John Pinette
John Pinette is one large American man, hence a lot of his jokes being about food. However, his weight wasn't a crutch for his comedy, he is a genuinely funny guy. He is John Travolta's Broadway double (he played the mother in 'Hairspray' for two years) and boy can he sing; the moments when he breaks into a short rendition gives a little taste of what he can really do. But he also has some great ideas for healthy eating, such as shots of salad. He also has a lot of turnip material, just pray that he hasn't been eating them. And please remember, kids, "KFC is the food equivalent of smoking crack." Words of wisdom indeed.
Udderbelly's Pasture, 31 Jul - 25 Aug (not 11), 9.15pm (10.15pm), prices vary, fpp 66.
tw rating 4/5
[rs]

Teechers
University of Lincoln Drama Society
Rough at the edges and rather unpolished, this performance of Godber's fringe favourite brought back memories of school plays, with actors visibly nervous and occasionally stalling over lines. However, like with all school plays, there was an earnestness which was endearing, and made the stutters forgivable. A huge cast for a short play, the central characters made up for the weak supporting ones, which quite frankly seemed unnecessary and distracting. Gail, the cheeky but loveable teenager with a crush on the new drama teacher was the star of the show, performing with an energy that held it all together and prompted the most laughter.
Sweet ECA, 18 - 25 Aug, 1.30pm (2.30pm), £7.00 (£6.00), fpp 102.
tw rating 3/5
[sg]

Mental! - Free
Pete Wells/Laughing Horse Free Festival
I was initially wary of the prospect of attending a mind-reading show - thoughts of being dragged up on stage and having my deepest secrets extrapolated and exposed to the audience ran through my head. Fortunately, Pete Wells is approachable, sincere and not out to humiliate anyone. Although evidently nervous, Wells demonstrated some impressive Derren Brown-esque exercises of the subconscious, culminating in a mind-boggling trick that left me genuinely confused as to how he had done it. His jokes weren't of the same calibre as his illusions and there were one or two tricks that didn't quite go according to plan, but with a bit more showmanship and a larger repertoire of material this could be something mighty impressive.
Laughing Horse @ Edinburgh City Football Club, 18 - 25 Aug, 3.20pm (4.15pm), free, non-ticketed, fpp 77.
tw rating 3/5
[th]

Paul Ricketts & Buff Wood - Wood Pushers
Up the Arts Comedy/PBH's Free Fringe
In case you're wondering, a 'wood-pusher' is a common term for someone who works behind the scenes at a theatre. And this is just one of the many roles Paul Ricketts has turned his hand to in the course of his varied life; others include frustrated primary school teacher and editor of a pornographic magazine dedicating itself to a particularly small (in several senses) niche market. Ricketts excels as a natural story-teller, with an amusing eloquence that would make you smile even if he was the one telling you that your granny's just died. Oh, and do be prepared for the last ten minutes; chances are, it may be the last thing you would ever expect.
Nicol Edwards, 2 - 23 Aug (not 13 or 19), 8.00pm (9.00pm), free non-ticketed, fpp 86.
tw rating 3/5
[tm]

DANCE AND PHYSICAL THEATRE

Hemingway's Havana
Havana Ball
Havana of the 1950s, playground of the rich and famous, from actors to presidents they all flock to experience the thrills and pleasures of Cuba's most decedent city. This is the story of Hemingway's Havana, the town he adopted as his own and where he wrote some of his most memorable works. Told through music and dance this vivacious extravaganza transports you daiquiri and all to a world of salsa, cha-cha and sweat-soaked wonder. Both the dancing and the music are flawlessly executed, with some true Cuban legends as guests. The highlight was an appearance from Valerie Hemingway, wife of Ernest's son, who recounted her true experiences of the author. The music of Cuba filled the venue to bursting and by the end the whole audience was on their feet; superb fun.
The World @ St George's West, 1 - 30 Aug, 8.30pm (9.40pm), £12.00 (£10.00), fpp 116.
tw rating 4/5
[nb]

Lost In The Wind
Lost Spectacles
This production almost felt like it should have been billed as a children's show, which made for uneasy viewing. The minimal dialogue was spoken in what seemed like baby speech and there was a childish obsession with balloons, getting your own way and the inevitable tears when you don't. Having said that, the show ended with the adventurer exploring an 'other world' lying buried in a snowstorm, which felt quite sad after all the tomfoolery. The show did feature some visually spectacular and innovative scenes, such as those featuring the tiny puppet and a man made of newspaper, and performances by Fionn Gill and Naomi Para stood out. Ultimately, though, this production needed greater sophistication to sustain interest.
The Zoo, 1 - 25 Aug, 7.40pm (8.40pm), prices vary, fpp 118.
tw rating 2/5
[bw]

Three Short Stories - No Plot
NYD In Association With New English Contemporary Ballet
When something describes itself as 'showcasing stunning new talent', it is usually exaggerating; but NYD is bursting with potential, and this production confirms it. The choreography is well-gauged for the dancers' level of experience and they demonstrate good technique, although admittedly their uncertain stage presence and wavering control do reflect their immaturity. These, however, are the only downfalls in an otherwise impressive and heartfelt performance. New English Contemporary Ballet are excellent as guest stars, providing the audience with a vibrant and exciting piece of dance while giving the younger students a glimpse of their potential future. After all, there is plenty of talent in this company and if Three Short Stories is anything to go by, they are destined for great things.
Zoo Southside, 10 - 16 Aug, 10.00am (10.50am), £6.00, fpp 122.
tw rating 3/5
[fc]

Flamenco Tablao
Artistas Flamencas
Furious rhythm and intricate patterns were demonstrated in this fusion of Spanish culture and traditional flamenco. An authentic live band created an atmospheric accompaniment for the dancers displaying a strong determination and passion as they performed a selection of traditional dance reflecting a local tablao, or coming together of flamenco artists. At times the choreography was slightly out of sync, with some dancers showing a clearer and more expressive ability than others, however, colourful costumes and enthralling footwork kept the audience absorbed throughout. The mood became more serious, with solo performances conveying high amounts of concentration and passion alongside skillful guitar playing, resulting in a performance that creates an escape to the warmth of a sunny Spanish evening, combating the Scottish drizzle.
Sweet ECA, 18 - 24 Aug, 4.30pm (5.20pm), £8.00 (£6.50), fpp 115.
tw rating 3/5
[am]

EVENTS

Daily Walks Down The Royal Mile - Free
Edinburgh Festival Voluntary Guides Association
The day has finally come, I am standing in Edinburgh High Court. But before you begin the party, I should explain my visit is purely as an observer, and anyway, the sword of truth and the shield of fair comment will always protect me from the unlikely arrows of libel writ. I'm on a tour of the Royal Mile that's far from linear, taking in castle, courts and countless closes. I mean, seriously, what is it with all the closes? John, our guide, has been giving these tours since Tudor times and can vividly remember the reception Mary Queen of Scots received riding into the city. I exaggerate, slightly, but the tours themselves though do date back to Genesis, ie, 1947 - the first Festival.
Cannonballl House, 4 - 30 Aug, times vary, free non-ticketed, fpp 124.
tw rating 3/5
[se]

MUSIC

Beating Of The Russian Heart
Koleso
Russian folk music is strong and spirited, and these seven young women did credit to it with their hearty voices and cheeky smiles. In bright traditional costumes they exuded great energy through through the use of powerful dissonant harmonies and dances with scarves and handkerchiefs. The programme was well-ordered, taking us through various moods and styles; the a cappella sections were the most atmospheric, and it was a pity that when backing music was used it was mostly pre-recorded, which detracted from the authenticity a little, putting them in danger of slipping towards a Eurovision-style pop track. Fortunately, they didn't, and after receiving some dance lessons on stage the audience went away in no doubt that Russia's heartbeat is a passionate one.
C Socco Urban Garden, 13 - 25 Aug, 2.00pm (3.00pm), prices vary, fpp 141.
tw rating 3/5
[lr]

InvAsian Festival: Bend It Like Elvis
clubWEST
I don't get Elvis impersonators, but was willing to be convinced by Sal Bashir, Britain's Pakistani Elvis. Having heard the strains of Chinese Elvis, who was on before him, apprehension was the main feeling as I walked into the theatre. However, Sal could really sing. He had a wonderful voice, and a real passion for Elvis. But let's be honest, Elvis had serious sex appeal, the kind that you can't teach, and the kind that you can't act, and whilst all of Sal's movements were typically Elvis, they were just choreographed moves not a product of his own originality. It just became embarrassing, and that is the problem with Elvis impersonators: all good at a wedding, but not in concert... Sal, find your own lovely voice.
clubWEST @ Quincentenary Hall, 3 - 25 Aug, 4.30pm (5.20pm), £10.00
(£8.00), fpp 153.
tw rating 2/5
[rs]

Sinatra-Basie Sessions Revisited
Todd Gordon & The Marcus Pope Big Band
As I sat in a sea that groaned with years, I realised that big bands make me wish old age would creep on a little quicker. At the first bawdy brass interjection, snare roll, and the shiver and grin that came with it, I started picturing the silver fox's hair, wearing black tie suits in an unabashed manner, the swaggering cool and sliced Americana that is big band swing. Todd Gordon, and the incredibly tight and flawless big band backing, never took that dream down from the pedestal. Belting out mainly Sinatra and Basie classics with a voice that was right on the button - the swing button - they floored me (and the audience) with seamlessly arranged, masterfully crooned swing.
The Queen's Hall, 14 Aug, 7.30pm (9.00pm), £18.00 (£16.00), fpp 164.
tw rating 5/5
[ab]

Burns And Tannahill: Twa Robs
Weatherby, Morran, Brechin, Duff, Freeman
Bringing to mind the braes of an immortalised Scotland, the traditional reels, ballads, jigs and slip-jigs as treated by Roberts Burns and Tannahill were presented in an engaging, insightful and entertaining performance. With fine playing on the melange of folk instruments by the group (cittern, bodhran, accordion, hornpipe, penny whistle, cello), the music was brought to life, and was never dull, but always engaging and riotously well-played. Walking their audience through the formal and conventional background behind the songs played, and inviting participation in the singing of the Gallic lyric, the Twa Robs performance should be witnessed, for honest, lively and worthy renditions of songs representing a strong cultural heritage.
Diverse Attractions, 18 - 23 Aug, 7.30pm (8.40pm), £8.00 (£7.00), fpp 143.
tw rating 4/5
[ab]

Far From Kansas
London Gay Men's Chorus
If you want your glassful of camp (and a glass of free champagne) don't be looking any where else. This motley crew of sparkly Doc Martin clad singers are all friends of Dorothy and very much proud of it. In case you're unsure, the friends of Dorothy is now a church, to be praised by this evensong chorus, which was brilliant, because this group's singing was simply beautiful. From 'Bless this Broken Road' to 'Mack the Knife', this was simply fabulous. Some of the solos felt a little more shaky, and occasionally the camp felt like an act, but the soaring vocals pulled it all back together and had the audience cheering. Praise be to Dorothy!
Rocket @ Demarco Roxy Art House, 18 - 11 Aug, 11.30pm (12.30am), £8.00 (£6.00), fpp 171.
tw rating 4/5
[rs]

George Melly - Where Are You?
Slaughterhouse 7
The wonderfully-named Bart Isola leads the Slaughterhouse 7 in this fitting tribute to Jazz supremo George Melly, who passed away last year. Too big was Isola's suit (he looked like he'd raided his dad's wardrobe), but by god did he suit his big voice, as he crooned his way through a fine selection from Melly's repertoire, accompanied by the highly skilled septet. Isola was able to inject the right amount of emotion into each song, and really made me believe he could have been singing about himself in the revered classic, 'House of the Rising Sun'. I can't imagine how much more this show could be appreciated in more appropriate surroundings, but it did a damn fine job here.
Rocket@Demarco Roxy Art House, 18 - 23 Aug, 4.50pm (6.05pm), £6.00 (£5.00), fpp 151.
tw rating 5/5
[zh]

In The Pink A Cappella
In The Pink
What's that you say? An all-female a cappella group with beat-boxing? Erm, yes! But does it work? Well, almost. Unfortunately there's not a great diversity of pitch so if you're not keen on high notes, this one's not for you, and with a couple of exceptions there aren't any pink ladies here who can really belt out a tune loud enough to fill the large theatre. There's also some uncertainty in the dance routines. Nevertheless, the covers performed were well chosen and creatively arranged; a comic stalker version of the Turtles' 'Happy Together' and a little audience participation inject some delightful moments of comedy, while 'Tainted Love' showed off impressive backing skills. This is an enjoyable, wide-ranging performance.
C, 17 - 25 Aug, 19.55pm (20.45pm), prices vary, fpp 152.
tw rating 3/5
[jwm]

One From The Heart - In Concert
Broken Bicycle Productions
Love-songs for the lonely. Jonathan Webb, Roberta Klimt and a 13-piece jazz orchestra perform songs from the 1982 Francis Ford Coppola film 'One From The Heart'. This two-hander about a mismatched couple who break up on their fifth anniversary, charts their gradual realisation that maybe they are made for each other after all. The two leads have superb voices, but it is Webb's belief in his part that really goes the extra mile, with 'Little Boy Blue' a particular highlight. They are solidly accompanied by an orchestra that is both talented and professional, if a little under-used. So if you feel like some old-fashioned romance one wet Edinburgh evening, I suggest you give it a try.
C, 17 - 25 Aug, 8.55pm (9.45pm), prices vary, fpp 160.
tw rating 4/5
[seg]

MUSICALS AND OPERA

Psalms
Odd Sock Productions
Have you ever been in a situation where you've sought solace in scripture? I haven't, and this production has given me some definite clues as to why. 'Psalms' is structured as a radio programme, with listeners calling in to request psalms with significance to them. The listeners explain their situations - from a homeless person to a Royal Marine; all taking comfort in knowing that God is there for them - then a version of the psalm is either sung or recited. The singing is fair, but can't rival a full choir, and the acting is passable, but the message is old: it's a shame that religious convictions that were once an incredible source of culture are now so behind the times.
St Cuthbert's Parish Church, 11 - 16 Aug, 16.30pm (18.00pm), £6.00 (£4.50), fpp 176.
tw rating 2/5
[jwm]

THEATRE

The Crossing
Chameleon Theatre Company
A one-man show is an ambitious undertaking. Alfred, the protagonist of this particular one, is played with guts and stamina, and if the performance is a little less engaging in the early scenes it is made up for by the intensity of the traumatic climax, which truly allowed the actor to shine. The play attempts to address issues of class and society in the early 20th century, but unfortunately this is done in a heavy-handed manner, and the shortness of many scenes gave the impression that the script was caught between the media of film and theatre without conclusively settling in either. Slightly predictable and in need of greater dramatic range, but entertaining enough to justify the ticket price.
Diverse Attractions, 11 - 16 Aug, 7.30pm (8.45pm), £6.00 (£5.00), fpp 193.
tw rating 3/5
[jm]

Hostage
Tweed Theatre
The most torturous thing about this play was the painfully slow dialogue. The acting was blank and without real passion, and the kisses between Meg and Alexander were about as real as Jodie Marsh's tan. Alys looked far too young for the part and had no facial expression. However, the most baffling thing was the surprise that a man who had been held hostage for 4 years was a little bit traumatised, as even 400 years ago, I think that may have been expected. Topical? If the point is that Muslims and Christians still have their issues, then yes; but no-one likes to be hit over the head with the hammer of morality.
Sweet ECA, 11 - 17 Aug, 8.40pm (9.55pm), £8.00 (£7.00), fpp 204.
tw rating 1/5
[rs]

Indians
The American High School Theatre Festival
'Indians' might be an interesting play, but I wouldn't know it from this production, which was confused and confusing. Arthur Kopit's script deals with Buffalo Bill, his Wild West Show and relationship with Native Americans; it's also billed as a Vietnam allegory, though you could be forgiven for missing that. The staging and direction was muddy and a lot of performers were simply difficult to follow, speaking at speed with poor enunciation. They tried to make things more interesting with masks and puppets, but should probably have focused on making meaning first. The show features depictions of several hammy performances Buffalo Bill was involved in, and it was telling that there was little difference between these and the rest of the show.
Rocket @ Demarco Roxy Art House, 10 - 15 Aug (not 11, 13), times vary, £6.00 (£4.00), fpp 206.
tw rating 1/5
[hw]

It Takes Life To Love Life
The American High School Theatre Festival
I feel like I shouldn't criticise this young, well meaning cast because their play is raising awareness about a terrible condition, and they have a cast member and friend who suffers from it. The play tells the stories of people who have Amyotrophic Lateral Sclerosis, a degenerative disease which slowly stops you from being able to move, talk, eat and breathe. With a clear message which is thoroughly reinforced, it's a heartfelt and touching production with a moving song at the end. I liked this play but I have to be honest, some of the acting wasn't great, every line was delivered in the same tone and there was only one actress who really stood out.
Rocket @ Demarco Roxy Art House, 11 Aug - 14 Aug, times vary, £6.00 (£4.00), fpp 208.
tw rating 2/5
[fa]

The Lark
The American High School Theatre Festival
'The Lark' is Jean Anouilh's telling of the life and trial of Joan of Arc. It's a big play with some meaty stuff about the individual versus the institution, and this group of students from Holland Hall School, Oklahoma offer a pretty straight version, which wisely sticks to just telling the story. Performances were a little patchy however, and while some of these young actors were very assured, others struggled with the basics of pronunciation and clarity. There were also some peculiar directorial decisions, such as keeping the cast on stage the whole time, which was wholly unnecessary and a little distracting. But overall, this is a competent performance of a compelling play, even if it never quite flies.
Rocket @ Demarco Roxy Art House, 11 - 15 Aug (not 12), times vary, £6.00 (£4.00), fpp 210.
tw rating 2/5
[hw]

'Once A Catholic' By Mary O'Malley
Lauder Studio Theatre Company
A 1950s satire on convent-school education, there is something quaint about the caricatures and broad comedy stylings of this play. Despite having the vague whiff of school-play about it - the number of audience members taking photographs was ridiculous - there were laughs throughout, with some impressive comedy turns from all of the cast. There were problems with the script, however; the queasy sexuality of some scenes felt at odds with the hilarity preceding it, while the scathing critique of Catholic education was disappointingly tame, and came bubble-wrapped in surprisingly tender nostalgia. Despite some problems with sound and light cues, and wavering accents, this was a solid production and was definitely worth seeing simply for the show-stealing camp lothario, Cuthbert.
Diverse Attractions, 16 Aug (not 15), 9.10pm (10.35pm), £10.00 (£6.00), fpp 220.
tw rating 3/5
[al]

The Talented Mr Ripley
Bablake at Diverse Attractions
I don't like insulting children (well, that's not strictly true: they're an easy and often appropriate target for my hatred). But if you come to the Fringe without advertising yourself as a school company, then as far as I'm concerned you're opening yourself up to the same level of criticism that any professional show would get. And there's a lot to be critical of in this flat, lifeless show, which was emphasised by at least six walk-outs. A complete lack of direction leaves the actors looking lost and a little scared, standing in a line, dutifully reciting their monotone lines. They race through each scene, meaning that this could comfortably have been much longer than it's already epic, exhausting 90 minutes.
Diverse Attractions, 11-16 Aug, 3.15pm (4.45pm), £5.00, fpp 234.
tw rating 1/5
[gs]

Top Girls
Girls On Top
Caryl Churchill's 'Top Girls' questions what it takes to be a strong woman in this competitive fast paced world, and is known for being gritty and surreal. The Girls On Top production company have played it safe, however, by omitting the more offensive parts of the text. Nevertheless, it is cleverly staged with the audience on three sides and features some very strong performances, particularly by the leading actress, who plays Marlene with an exquisite mix of strength and vulnerability. 'Top Girls' has become a canon for women in theatre, and is staged so often that it would be great to see an innovative cutting edge production of it. This production is probably aimed at people who would normally dislike Churchill's absurd writing, but is well executed nonetheless.
C Cubed, 15 - 25 Aug (not 21), 7.45 pm, prices vary, fpp 238.
tw rating 4/5
[ls]

TS Eliot's 'Murder In The Cathedral'
Old Saint Paul's Drama
Brooding organ music and the scent of incense greet us upon entering Old Saint Paul's church: a resurrection of the ancient marriage of theatre and religion begins. It comes in the form of a 'dramatised reading' of Eliot's verse drama about Thomas Becket's 1170 murder in Canterbury Cathedral. Thankfully, the deeply discursive play is adorned by visually powerful staging. A chorus of chanting women process around us in scarlet robes and the retired Bishop of Edinburgh, Richard Holloway, plays the fearless Becket. The cast read with rhythmic conviction, but clutching their books they divide their attention only between printed page and audience, leaving little for each other. Ultimately, the significances of Eliot's play are limited by simple lack of eye contact.
Old Saint Paul's Church, dates vary, 5.00pm (7.00pm), £8.00 (£6.00), fpp 238.
tw rating 3/5
[dp]

The Kentucky Cycle - Part 2
Pepperdine University Malibu
Two and a half hours, 108 characters, played by 21 actors, Robert Schenkkan's Pulitzer Prize winning play is an impressive undertaking for any company. The students of Malibu's Pepperdine University tackled tough subjects with dedication and complete conviction. Set at the foot of the Appalachians, the Kentucky Cycle is a tale of truth, hope and harsh realities. Schenkkan's intelligent dialogue brings us the stories of three Kentucky families struggling with industrialisation into poignant focus. Often hilarious, frequently touching and constantly inspiring, the undeniably talented cast guide you through the complex issues of love, family and corruption with effortless poise. Set to the music of the Appalachians this beautiful performance will leave you wondering where the two and a half hours went.
C, 30 Jul - 9 Aug (odd dates only) 11.20am, prices vary, fpp 209.
tw rating 4/5
[nb]

The Best of John Betjeman
Lance Pierson
It's my opinion that poetry is better when recited. Betjeman's poetry was not only better but became magical with Lance Pierson's 'epileptic animation'. The sheer enthusiasm and clear love for Betjeman's work that Lance projects make for a truly enjoyable experience. The production was simple and effective with clear sound and visual aids that were unobtrusive yet informative, allowing Betjeman's subtle humour and perceptive observations come alive through the rhythmic dance of his words. The majority of the captivated audience were of the same generation; but to quote Betjeman "the modern style has really come to stay". He was right, as his work is still relevant and appealing to the younger generation (ie, me!).
St Cuthbert's Parish Church, 18 - 25 Aug 6.00pm (7.00pm) or 8.00pm (9.00pm), £8.00 (£6.00), fpp 185.
tw rating 4/5
[mi]

Fast & Furious or Soft & Slow?
Pink Space Theatre Company + Real Women Ltd
This comic exploration of female fantasy was entertaining, and reminiscent of the debauchery and mayhem you see on a typical hen night. These three beauties crooned their way through a host of soulful numbers, whilst effectively relishing in the tackiness of the show. And if it's controversial references to cocks and threesomes that you're looking for, the show will most certainly not disappoint. However, I couldn't help but feel that the jokes were a bit forced, and the 'fantasies' more in the style of the confessions page of bloke's magazine 'Nuts', than that of 'Cosmopolitan'. If they want to satirise woman's sexual liberation, then perhaps it should be done a little more tastefully but there's no denying that it's entertaining.
Rocket @ Demarco Roxy Art House, 18 ? 23 Aug, 6.45pm (7.30pm), £7.00 (£5.00), fpp 199.
tw rating 3/5
[km]

Hamlet Episode
Daegu City Modern Dance Recital
In a stunning and engaging performance, this Korean dance company have brought a new lease of life to Shakespeare's Hamlet through a rapid and moving recital of modern dance. The performers displayed great skill in adapting to the dramatic and continually changing mood of the production whilst the choreography made an outstanding use of space to convey the storyline. Flawless leaps combined with absorbing and expressive movements highlighted the power of contemporary dance as the company experimented with the concept of individuals exploring their identity. The lighting enhanced the performance by creating a captivating atmosphere that was visually convincing but at times became chilling and intense. With intricate dancing and unique theatrical techniques, this is a production that will leave you mesmerised.
Rocket@Roxburgh Hotel, 11 - 23 Aug (not 17), 8.00pm (9.00pm), £10.00 (£8.00), fpp 116.
tw rating 5/5
[am]

How Hard It Happens
Heart Off Guard Theatre Company
Blending two slightly strange stories of trauma - a coach crash where all the victims except a teacher and pupil seem to have disappeared, and a couple dealing with the death of their criminal son - this was an ambitious script from Claire Urwin. It was performed and directed with skill, and most notable among a host of strong performances was that of Elisabeth Hopper, who moved between teenage sarcasm, veiled vulnerability, and an unpleasant toughness in her subtle power struggles with the teacher. The interesting script showed potential, although it faltered at times and there were the odd over-poetic lines which merely sounded pretentious. But overall this student group provided a sharp performance of a play that makes you wonder what Urwin will produce next.
Sweet Teviot Place, 18 - 25 Aug, 2.30pm (4.00pm), £8.00 (£6.00), fpp 205.
tw rating 4/5
[hw]

New World Order
Rogue Shakespeare Company
Ryan J-W Smith has written an incredible play here. Shakespearian in its epic scope and clever use of words, it introduces three characters: the Fool, the Soldier and the King. Smith moves tirelessly between the three characters, the noble King becoming increasingly terrifying as he explains why war is necessary to keep people subjugated. Introducing the show with a recording of a soldier in Iraq reinforces the message that tyranny isn't only for the kings of old: there are atrocities committed every day in the name of "freedom". While the heavy-handed political message veers a little close to being conspiracy-theorist towards the end, this is still a compelling, challenging piece of theatre.
Gilded Balloon Teviot, 6-25 Aug, 12.30pm (1.30pm), prices vary.
tw rating 4/5
[gs]

The Secrets Inside
Sell A Door Theatre Company
As volatile prison inmate Brian, Lee McPherson gives a standout performance in this new play by promising writer David Hutchison. Of all the characters in this modest production addressing some of the problems facing Scotland's prisons, Brian struggles most profoundly with his own secrets. McPherson delivers his snappy dialogue with a surety arising from a potent inner belief in his character's status as the damaged everyman. The play as a whole lacks the moments of revelation McPherson's performance approaches; it simply reminds us of what we already know about our failing prison service, and the secrets locked inside are perhaps too neat and dramatically convenient. However, it was worth being reminded of the inadequacies of the system by this honest show.
The Space @ Venue 45, 18 - 23 Aug, 5.05pm (5.55pm), £6.00 (£5.00), fpp 228.
tw rating 3/5
[dp]

Salad Bowl
Human Dice
This Salad Bowl needs to be tossed - preferably out of the nearest window. A play with no clear plot or direction, seemingly with hundreds of uninteresting characters, this felt like I had wandered into a GCSE Drama class. The story seemed to be about acceptance and being true to yourself, but was so poorly executed it was hard to tell - the acting was shaky and unconvincing, entrances and exits clumsy, and lines unsure. To top it off, there was a bizarre choreographed scene change that went on too long and served no purpose whatsoever: no furniture was even moved! This was the most mundane 40 minutes I've spent so far this festival, with the only saving grace being the music.
The Space@ The Thistle, 18-23 Aug, 17.10 (17.50), £7.00 (£6.00), fpp 227.
tw rating 1/5
[dk]

'Tape' By Stephen Belber
Fregoli Theatre Company
'Tape' is a modern play about three former school friends, which follows the classical unities of action, time and space. Although performed in real time, it never lost my attention, as the acting and directing were truly exceptional, at times feeling like a West End production. Addressing themes such as morality, betrayal and drug-use, it is a hard-hitting piece, which is sensitively developed by an outstanding cast, especially Shane McDermot, who fantastically portrayed the turmoil of a man with a regrettable past. The company is only at the festival for 5 days, in a venue with the capacity of 30, so this is definitely a production to catch before the festival ends, as you won't see better acting in such an intimate space.
Rocket @ Demarco Roxy Art House, 18 - 23 Aug, 9.45pm (10.45pm), £8.50 (£7.50), fpp 235.
tw rating 5/5
[kk]

A Midsummer Night's Dream
Eltham Hill Drama Company
Without set, props or costume beyond uniform black, the girls of Eltham Hill Drama Company race through this reduced version of A Midsummer Night's Dream. The lack of costume changes sometimes makes it difficult to keep track of characters as actors switch from one role to another, but the cast was cleverly used and all handled the frequent changes of character well. It's lovely to hear teenagers who appear to understand Shakespeare's language and handle it well, although most of the cast would benefit from slowing their speech down and relaxing a little. The production could do with a bit more magic, but on the whole it's strong and there are some promising young performers in this company.
The Space@ Venue 45, 18 - 20 Aug, 12.05pm (12.55pm), £5.00 (£4.00), fpp 216.
tw rating 3/5
[jm]

VISUAL ART

Bond Bound
City Art Centre
I have never read an Ian Fleming novel, and the only film adaptation of his work I have ever seen is 'Chitty Chitty Bang Bang' (I hang my head in shame), but anyone can appreciate the bright bold images in this exhibition, made up of mainly film posters and book covers. I found the cabinet containing a plethora of Bond books from numerous countries over the space of fifty years fascinating, as each cover encompasses the era and area from which it is from, but, without getting too Mary Whitehouse about it, I was shocked by the heavy featuring of guns in the imagery. Plus, material relating to 'From Russia With Love' seems to dominate the collection, possibly disappointing fans with the limited range of memorabilia on display.
City Art Centre, 27 Jul - 30 Aug, opening hours vary, prices vary, fpp 132.
tw rating 3/5
[gm]

International Photography
Edinburgh Photographic Society
Without a cohesive theme it's hard to focus in this show. To call itself a major international exhibition is laughable, when clearly little thought has gone into the organisation of the material. The photographs are so densely displayed that it feels more like a school show which is running out of wall space. It's a shame because some of the photographers are extremely talented and there is some beautiful work. However, the quality is overshadowed by cheap mount board frames, typos in the labelling and the unprofessional feel of the exhibition. The curators have forgotten that an exhibition cannot only rely on the content to produce a successful show, it's the experience that counts. And this one falls short.
The Edinburgh Photographic Exhibition Centre, 3 - 31 Aug, 10.00am - 5.00pm, free, fpp 134.
tw rating 2/5
[sg]

Mr IMPOSSIBLE: Philippe Starck
For the artistic types this is a design orgy, and Philippe Starck is the top attraction. Chair design takes centre stage, displayed in sort of catwalk timeline but unfortunately, like any fashion show, we're not allowed to touch the models, let alone sit on them. Design in the UK is often portrayed as elitist, but here, in addition to the iconic furniture, this exhibition highlights the practical. Starck's lemon squeezer may look like a tarantula but it has a functional focus and he even designed pasta: did you think that the world's most creative minds would make do with penne? It's just a shame that the exhibition, like the rest of the shop, is rather cluttered; a little minimalism wouldn't go amiss.
Inhouse, 2 - 30 Aug, 9.30am - 5.30pm, free, fpp 135.
tw rating 3/5
[sg]

Chad McCail
Edinburgh Printmakers
The reduced colour spectrum inflicted by the use of print really suits McCail's work. It allows the moral/social issues explored in his work to be prominent, due to the simplicity of line and colour. The venue, although small, is absolutely excellent and it is evident that McCail has worked very closely with them to create the exhibition. The video of the artist is upstairs at the end of the natural viewing cycle, allowing the viewer to hear an explanation of his work and a little about the making of the prints itself. I found this a particularly nice touch that brought some intimacy to the exhibition and encouraged a second, more informed viewing of McCail's work.
Edinburgh Printmakers, 23 Union Street, Jul 27 - 30 Aug, 10.00am - 6.00 pm (not Sun, Mon), free, fpp 132.
tw rating 3/5
[mi]

Contemporary... Modern.. Timeless
It's clear this 'exhibition' is no more than the shop's usual content, nevertheless it's nicely laid out and the jewellery is varied, affordable and interesting. With work from all parts of the globe, there's a mix of silversmith creations along with plenty of stones and beads for those with a more eclectic taste. There's nothing outstanding, and it's a shame there is so little information about the jewellers or the way in which the jewellery has been created. It certainly won't enlighten you, but perhaps you can find a trinket to take home as a souvenir. It's the kind of exhibition you can see in ten minutes so only drop by if you happen to be passing.
Ocean Jewellery, 28 Jul - 30 Aug, 10.00am - 6.00pm, free, fpp 133.
tw rating 2/5
[sg]

Crockery Capelines
Fawns Reid & Rosy Naylor
I was hoping for something similar to the Mad Hatter's Tea Party, but sadly there were only smashed plates and weak ideas. Located in a hat shop, the exhibition is hidden among the items for sale, so much so I had to ask whether I was in the right place. Rosy Naylor's broken crockery is clumsily glued to pieces of cloth wrapped around mannequin heads, a strangely disturbing image, while Fawns Reid's over-sized cups and saucers quite literally become hats - not that I would wear them. The only relief is that you can try on the various hats for sale, which was by far the most entertaining part of my visit, and it wasn't even part of the show.
Fabhatrix, 3 - 30 Aug, 10.00am 8.00pm, free, fpp 133.
tw rating 1/5
[sg]

Fragments Of Place
Peach@Napier
"Sorry, there are no related photos uploaded yet". How about "sorry, this isn't a proper exhibition, it's shit, and no one wants to see it"? The idea is that Festival goers snap pictures on their mobile phones, tag it, send it and share it, so it becomes part of series of projected images, a sort of archive of this year's festival. Except, no-one has documented anything, and to be honest, who wants to see low quality images of the Royal Museum of Scotland or Princess Street Gardens projected onto a dirty screen, when the real thing is a few moments away? The lack of skill, creativity, care and effort just made me angry that this is called art.
The GRV, 3 - 25 Aug, 12.00pm - 9.00pm, free, fpp 133.
tw rating 1/5
[sg]

Impressionism & Scotland
National Galleries of Scotland
I have always been interested by Impressionism - a once controversial movement that shocked the art establishment is now one of the most recognisable and lauded genres in art history. Impressionism and Scotland don't seem like an obvious pairing, and this exhibition is a mixture of some well known artists and paintings that have been collected by wealthy Scots such as William Boyd and James Guthrie, and paintings by Scottish artists such as Peploe and Fergusson inspired by Impressionism. These look like poor copies in comparison, lacking the subtlety of brush stroke, light and colour of their European counterparts. There are some beautiful examples of Degas here, but I couldn't help thinking that this exhibition went for quantity over quality.
National Gallery Complex, 27 Jul - 30 Aug, opening hours vary, £8.00 (£6.00), fpp 134.
tw rating 3/5
[gm]

Sandbach School Art
Sandbach School Art Department
It is rare to see a school exhibition in the Festival; Sandbach's exhibition demonstrates the development procedures of young artists with talent and pride. There is clear structure in the works exhibited, as they are shown in groups that all relate to the same inspirational topic, and the interpretation by each student of each theme is very interesting to explore, although there's sometimes a lack of originality. The exhibition is inescapably work of young teenagers, however it is an exhibition exploding with colour, energy and clear enthusiasm for art. In my opinion that is the best excuse to bring anything to the Edinburgh Festival, and I hope that those exhibited will continue to develop the talent they have demonstrated.
tw rating 2/5
The Royal College of Physicians Queen Street, Aug 11 - 15, 11.00am - 7.00 pm, free, fpp 135.
[mi]

Unseen China
City Art Centre
China is at the forefront of Western consciousness at the moment, with the issue of Tibet, the Beijing Olympics, and the emerging financial markets. This exhibition of over 600 photographs focuses on unseen occurrences, and is roughly divided into the categories of 'existence', 'relationship', 'desire' and 'time' although the themes of unemployment, poverty, brutality, Westernisation, and kindness run throughout. What is also striking is what is absent; any images of Tiananmen Square, or any overtly political photographs. The sheer volume of images and the density of their layout may be too much for some people, and if you pay each photograph the attention it deserves this is an emotionally draining experience, but one that is wholly worthwhile, informative, intense and touching.
City Art Centre, 27 Jul - 30 Aug, opening hours vary, prices vary, fpp 136.
tw rating 4/5
[gm]

eviewer details are online at www.threeweeks.co.uk